Neither were the stated amusements of evening more congenial to
Eveline's taste, than the profusion of her aunt's solid refection.
When the boards and tresses, on which the viands had been served,
were withdrawn from the apartment, the menials, under direction of
the steward, proceeded to light several long waxen torches, one of
which was graduated for the purpose of marking the passing time,
and dividing it into portions. These were announced by means of
brazen balls, suspended by threads from the torch, the spaces
betwixt them being calculated to occupy a certain time in burning;
so that, when the flame reached the thread, and the balls fell,
each in succession, into a brazen basin placed for its reception,
the office of a modern clock was in some degree discharged. By
this light the party was arranged for the evening.
The ancient Ermengarde's lofty and ample chair was removed,
according to ancient custom, from the middle of the apartment to
the warmest side of a large grate, filled with charcoal, and her
guest was placed on her right, as the seat of honour. Berwine then
arranged in due order the females of the household, and, having
seen that each was engaged with her own proper task, sat herself
down to ply the spindle and distaff. The men, in a more remote
circle, betook themselves to the repairing of their implements of
husbandry, or new furbishing weapons of the chase, under the
direction of the steward Hundwolf. For the amusement of the family
thus assembled, an old glee-man sung to a harp, which had but four
strings, a long and apparently interminable legend, upon some
religious subject, which was rendered almost unintelligible to
Eveline, by the extreme and complicated affectation of the poet,
who, in order to indulge in the alliteration which was accounted
one great ornament of Saxon poetry, had sacrificed sense to sound,
and used words in the most forced and remote sense, provided they
could be compelled into his service. There was also all the
obscurity arising from elision, and from the most extravagant and
hyperbolical epithets.
Eveline, though well acquainted with the Saxon language, soon left
off listening to the singer, to reflect for a moment on the gay
fabliaux and imaginative _lais_ of the Norman minstrels, and
then to anticipate, with anxious apprehension, what nature of
visitation she might be exposed to in the mysterious chamber in
which she was doomed to pass the night.
Public-domain text, read in full here on John Shaqi.
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