"Well, my lord," said Guarine, "I may be silenced, but not
satisfied. All the fair words he can speak--all the fine tunes he
can play--Renault Vidal will be to my eyes ever a dark and
suspicious man, with features always ready to mould themselves
into the fittest form to attract confidence; with a tongue framed
to utter the most flattering and agreeable words at one time, and
at another to play shrewd plainness or blunt honesty; and an eye
which, when he thinks himself unobserved, contradicts every
assumed expression of features, every protestation of honesty, and
every word of courtesy or cordiality to which his tongue has given
utterance. But I speak not more on the subject; only I am an old
mastiff, of the true breed--I love my master, but cannot endure
some of those whom he favours; and yonder, as I judge, comes
Vidal, to give us such an account of our situation as it shall
please him."
A horseman was indeed seen advancing in the path towards the Kist-
vaen, with a hasty pace; and his dress, in which something of the
Eastern fashion was manifest, with the fantastic attire usually
worn by men of his profession, made the Constable aware that the
minstrel, of whom they were speaking, was rapidly approaching
them.
Although Hugo de Lacy rendered this attendant no more than what in
justice he supposed his services demanded, when he vindicated him
from the suspicions thrown out by Guarine, yet at the bottom of
his heart he had sometimes shared those suspicions, and was often
angry at himself, as a just and honest man, for censuring, on the
slight testimony of looks, and sometimes casual expressions, a
fidelity which seemed to be proved by many acts of zeal and
integrity.
When Vidal approached and dismounted to make his obeisance, his
master hasted to speak to him in words of favour, as if conscious
he had been partly sharing Guarine's unjust judgment upon him, by
even listening to it. "Welcome, my trusty Vidal," he said; "thou
hast been the raven that fed us on the mountains of Wales, be
now the dove that brings us good tidings from the Marches.--Thou
art silent. What mean these downcast looks--that embarrassed
carriage--that cap plucked down o'er thine eyes?--In God's name,
man, speak!--Fear not for me--I can bear worse than tongue of man
may tell. Thou hast seen me in the wars of Palestine, when my
brave followers fell, man by man, around me, and when I was left
well-nigh alone--and did I blench then?--Thou hast seen me when
the ship's keel lay grating on the rock, and the billows flew in
foam over her deck--did I blench then?--No--nor will I now."
"Boast not," said the minstrel, looking fixedly upon the
Constable, as the former assumed the port and countenance of one
who sets Fortune and her utmost malice at defiance--"boast not,
lest thy bands be made strong." There was a pause of a minute,
during which the group formed at this instant a singular picture.
Public-domain text, read in full here on John Shaqi.
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