The countenance of the minstrel, which had hitherto been dark and
troubled, seemed softened by the quiet of the scene. He threw
loose his pilgrim's dress, yet suffering part of its dark folds to
hang around him mantle-wise; under which appeared his minstrel's
tabard. He took from his side a _rote_, and striking, from
time to time, a "Welsh descant, sung at others a lay, of which we
can offer only a few fragments, literally translated from the
ancient language in which they were chanted, premising that they
are in that excursive symbolical style of poetry, which Taliessin,
Llewarch Hen, and other bards, had derived perhaps from the time
of the Druids.
"I asked of my harp, 'Who hath injured thy chords?'
And she replied, 'The crooked finger, which I mocked in my tune.'
A blade of silver may be bended--a blade of steel abideth--
Kindness fadeth away, but vengeance endureth.
"The sweet taste of mead passeth from the lips,
But they are long corroded by the juice of wormwood;
The lamb is brought to the shambles, but the wolf rangeth the mountain;
Kindness fadeth away, but vengeance endureth.
"I asked the red-hot iron, when it glimmered on the anvil,
'Wherefore glowest thou longer than the firebrand?'--
'I was born in the dark mine, and the brand in the pleasant greenwood.'
Kindness fadeth away, but vengeance endureth.
"I asked the green oak of the assembly, wherefore its boughs
were dry and seared like the horns of the stag?
And it showed me that a small worm had gnawed its roots.
The boy who remembered the scourge, undid the wicket of the
castle at midnight.
Kindness fadeth away, but vengeance endureth.
"Lightning destroyeth temples, though their spires pierce the clouds;
Storms destroy armadas, though their sails intercept the gale.
He that is in his glory falleth, and that by a contemptible enemy.
Kindness fadeth away, but vengeance endureth."
More of the same wild images were thrown out, each bearing some
analogy, however fanciful and remote, to the theme, which occurred
like a chorus at the close of each stanza; so that the poetry
resembled a piece of music, which, after repeated excursions
through fanciful variations, returns ever and anon to the simple
melody which is the subject of ornament.
As the minstrel sung, his eyes were fixed on the bridge and its
vicinity; but when, near the close of his chant, he raised up his
eyes towards the distant towers of the Garde Doloureuse, he saw
that the gates were opened, and that there was a mustering of
guards and attendants without the barriers, as if some expedition
were about to set forth, or some person of importance to appear on
the scene. At the same time, glancing his eyes around, he
discovered that the landscape, so solitary when he first took his
seat on the gray stone from which he overlooked it, was now
becoming filled with figures.
Public-domain text, read in full here on John Shaqi.
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