The Big Drum: A Comedy in Four ActsPinero, Arthur Wing
General
The Big Drum: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
_The rooms are wainscotted to the ceilings and have a decrepit,
old-world air, and the odds and ends of furniture--all characteristic
of the dwelling of a poor literary man of refined taste--are in keeping
with the surroundings. In the dining-room there are half-a-dozen chairs
of various patterns, a sideboard or two, a corner-cupboard, a
"grandfather" clock, and a large round table. In the study, set out
into the room at the same angle as the fireplace, is a writing-table. A
chair stands at the writing-table, its back to the fire, and in the
front of the table is a well-worn settee. On the left of the settee is
a smaller table, on which are an assortment of pipes, a box of cigars
and another of cigarettes, a tobacco-jar, an ash-tray, and a bowl of
matches; and on the left of the table is a capacious arm-chair. There
is an arm-chair on either side of the fireplace; and against the
right-hand wall, on the nearer side of the bedroom door, is a cabinet._
_On the other side of the room, facing the bedroom door, there is a
second settee, and behind the settee is an oblong table littered with
books and magazines. At a little distance from this table stands an
arm-chair, and against the wall at the back, on the left of the big
doors, is a chair of a lighter sort. Also against the back wall, but on
the left of the door opening from the vestibule, is a table with a
telephone-instrument upon it, and running along the left-hand wall is a
dwarf bookcase, unglazed, packed with books which look as if they would
be none the worse for being dusted and put in order._
_In the vestibule, against the wall on the right, there is a small
table on which are Philip's hats, caps, and gloves; and an overcoat and
a man's cape are hanging on some pegs._
_It is late on a November afternoon. Curtains are drawn across the
dining-room windows, and the room is lighted rather dimly by an
electric lamp standing upon a sideboard. A warm glow proceeds from the
nearer right-hand corner as from a fire. The study is lighted by a
couple of standard lamps and a library-lamp on the writing-table, and
the vestibule by a lamp suspended from the ceiling._
_The big doors are open._
[PHILIP, _a pipe in his mouth and wearing an old velvet
jacket, is lying upon the settee on the right, reading a
book by the light of the lamp on the writing-table. In
the dining-room,_ JOHN _and a waiter--the latter in his
shirt-sleeves--are at the round table, unfolding a white
table-cloth._
JOHN.
[_A cheery little man in seedy clothes--to the waiter, softly._]
Careful! Don't crease it.
PHILIP.
[_Raising his eyes from his book._] What's the time, John?
JOHN.
Quarter-to-six, sir.
PHILIP.
Have my things come from the tailor's yet?
JOHN.
Public-domain text, read in full here on John Shaqi.
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