Another day and there were new rumors, queerer still. Bob was located
and interviewed. “He was down there, in that shanty of Tobe Eldridge’s,
paintin’ those picture things of his just as if nothin’ had happened.”
At least a dozen Harniss citizens had dropped in to ask questions.
They were given little satisfaction. Griffin told them only the
barest details. He furnished the answer to the puzzle concerning his
whereabouts between the hours of eleven and one-thirty by saying
that he had spent them in that very studio. He happened to remember
something he had left there; he was rather vague about this. Walking
to the village he had noticed the Townsend equipage by the roadside.
“Where?” “Oh, up by the corner.” He had found Covell lying stunned and
bleeding, and had taken him home. Then he went back to the stable and
drove his own horse to Denboro.
“Why did you lift him into that carriage all by yourself?” asked one
persistent visitor. “Should have thought you’d have run somewhere for
help or somethin’.” Bob replied that he guessed he had not thought of
it. The interviewers departed not entirely satisfied. “He ain’t told
the whole story. Holdin’ somethin’ back, that young feller is,” was the
consensus of opinion.
One of the callers at that studio the second day after the accident
was Foster Townsend himself. Bob was not surprised to see him there.
He knew that Seymour Covell’s host would not be satisfied with hearsay
particulars, but would, sooner or later, seek first-hand information
and that he--Bob--must be ready to supply it.
He had had time to consider his problem and to reach certain definite
conclusions. When, on that fateful night, or morning, he had dragged
Seymour Covell from beneath the horses’ hoofs, his first impulse was
to run to the nearest house for help. But the nearest house, the only
house in that immediate vicinity, was that belonging to Henry Campton.
Covell had, but a little while before, come from that house. A dim
light was burning even yet in one of its upper windows. If Covell were
taken there, if people learned that it was opposite that house the span
had been left standing--well, the whole story, or a story, exaggerated
and maliciously twisted, would spread from one end of the town to the
other. Bob knew Carrie Campton slightly, knew her to be something of
a rattle-head and very much of a flirt, but to risk subjecting her
name and reputation to the innuendoes and wicked sneers of the gossip
of Harniss seemed to him too mean to consider, if there was another
alternative.
Public-domain text, read in full here on John Shaqi.
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