“Um-hum. All right. I’m glad to hear you think so. I shall try to pin
the yarn down, of course, and when I locate the liar I’ll shut him--or
her--up.... Well, haven’t changed your mind? You won’t tell me any
more?”
“No.”
“Sorry. Good-by.”
He put on his hat and left the building. Bob stared after him for
one miserable moment. Then he sat down in the chair his inquisitor
had vacated and, with his head in his hands, tried again to look the
situation in the face. It had been sufficiently complex before. Now it
was quite hopeless. Why--oh, why, had he lost his temper? Why had he
not told the story he had meant to tell and then stuck to it, through
thick and thin? His word would have been as good as any one else’s. Now
he had let Foster Townsend see that he was hiding something. Townsend
would not be satisfied until he learned the whole truth. Lies, no
matter how stubbornly persistent, would not help now. This other story
was already in circulation. This man--and who was he?--had recognized
him and Covell. He must have heard a part, at least, of their quarrel.
And Esther--had Townsend intimated that her name had been mentioned?
He could not remember that he had, but it made little difference.
All Harniss would assume they were fighting over her. And if, by any
chance, the name of the Campton girl was dragged into the affair, that
would only make matters worse. They would say that he--Griffin--had
followed Covell to the Campton house, had played the spy, hoping
thereby to injure his rival in Esther’s eyes, and--and--what wouldn’t
they say? Why, they might even go so far as to disbelieve the entire
story of the accident, to say that it was not an accident at all, but
that he, Bob Griffin, had inflicted the injury upon Seymour Covell.
They might. And if Covell never regained consciousness, if he died
without speaking, who could prove that the accusation was not true?
Even Esther, herself, might believe it.
His imagination formed a picture of the court room at Ostable, himself
in the prisoner’s dock, Esther in the witness stand and a sharp lawyer
cross-examining her, dragging forth every detail of their relations
with each other; asking--
No, she should not be subjected to that. It made little difference what
they thought of him. And the reputation of the Campton girl no longer
counted. If Esther Townsend’s name could be left out, he would tell
the whole truth and face the music. But to tell that whole truth was
unthinkable. She _had_ been the cause of the quarrel.
Public-domain text, read in full here on John Shaqi.
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