“It’s the cap’n’s doin’s,” he explained. “He told Nabby to pack up
Esther’s things and have me fetch ’em down to you. ‘What’ll I tell her
to do with ’em?’ says I. He just glowered at me and walked away. ‘She
can do what she wants to with ’em,’ he growled, over his shoulder. ‘I
don’t want to know what she does. Don’t you mention ’em to me again.’
So that’s what I know about it, and it ain’t much. Say,” he added,
“there was a whole lot more things of hers around. Not clothes, you
know, but--oh, well, photograph pictures and knickknacks and doodads,
all sorts of junk she’s picked up around, when he and she was off
cruisin’ and travelin’ and the like of that. He made Nabby pick up
every one of them things and stow ’em away out of sight. Seem’s if he
couldn’t bear to have anything that belonged to her ’round where he
was liable to lay eyes on it. There was only one item he left off the
bill of ladin’ and that was kind of queer, too--queer he should leave
that out, I mean. There was a big photograph of her on the settin’-room
mantel-piece. You’ve seen it; you know the one ’twas. Naturally Nabby
cal’lated that would be the first thing he’d be for gettin’ out of
sight. Well, ’tis out of sight, so far as that goes, but where he’s put
it we don’t know. ’Tain’t in this trunk and it ain’t with the stuff
Nabby’s hid up attic. What do you suppose he’s ever done with that
photograph, Reliance?”
Reliance sent the trunk to Esther at her Boston address, hoping it
would reach her before the date of sailing. Whether it did or not she
had not yet heard. She made it a point to see Mrs. Gifford occasionally
and from her learned what was taking place at the mansion.
Public-domain text, read in full here on John Shaqi.
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