A vivid flash of lightning, almost instantly followed by a thunder peal
which caused the windows in the old house to rattle, prevented her
reply. The rain seemed to drop from the sky in sheets. It roared upon
the shingled roof of the porch. She caught his arm.
“We can’t go out in this,” she said, nervously. “We must stay where we
are--and wait.”
He nodded. “I guess you are right,” he agreed. “Heavens! what a deluge.
It will ease up in a minute. Then we can go on.”
It did not ease up, however. Instead, it rained harder than ever. The
porch roof began to leak and he raised the umbrella once more. She was
obliged to stand close beside him to avoid the drip. It grew dark and
the lightning flashes seemed more vivid in consequence. He felt her
shiver.
“Not frightened, are you?” he asked.
“No-o, I guess not. But I don’t like it very well. Talk, please. Just--
Oh, just say something to keep me from thinking about it.”
He laughed. “Good idea,” he declared. “What shall we talk about? Tell
me what you have been doing up there in Boston.”
She told him about her studies at the Conservatory, about Mrs. Carter,
about the California trip, of the wonderful happenings of the past two
years. He asked questions and she answered them. The lightning and
thunder punctuated her narrative and the rain on the roof furnished a
steady roar of accompaniment.
“There!” she exclaimed, after a time. “I have said every word I can
think of. Now tell me about your painting. You have been studying too.
Some one--Uncle Millard, I think--told me you had.”
He shook his head. “I’ve been studying--yes,” he admitted. “I haven’t
been climbing ahead the way you have, though. And I haven’t had your
encouragement at home. When I told grandfather I had made up my mind to
paint pictures for a living I thought he was going to have a fit. He
has a relapse every once in a while even yet. I should have done it,
though--or tried to do it--if he had ordered me out of the house. It
was paint or nothing for me. I had rather do it than eat--and I like to
eat pretty well,” he added, with another laugh.
His laugh was infectious. Esther laughed, too. “I must say I think
your grandfather is very unreasonable,” she declared, with a return to
seriousness. “Why shouldn’t you paint, if you want to--and can? It is a
wonderful thing to be an artist.”
“So they say. I am far from being one yet, so I can’t speak from
experience. Oh, well! I don’t blame the old gentleman for making a row.
He doesn’t know. About the only painter he ever had any experience with
was the chap who did grandmother’s portrait. That portrait is enough to
sour anybody on the whole profession. Grandfather is a good fellow. I’m
strong for him.”
She glanced at him in surprise. The few references she had heard
made to Elisha Cook--Foster Townsend had made them--were far from
classifying him as a “good fellow.”
“Is he!” she exclaimed, involuntarily. “Why, I thought--”
She paused. He nodded.
Public-domain text, read in full here on John Shaqi.
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