I can fancy the official answering my look of horror with,--"Yes, Sir, it looks like a high charge, Sir; but in these days slaughtering is slaughtering." Verily, I would that every one understood that it was; for it goes about obtaining money under the false pretence of being glory. For me, I have an imagination which plays me uncomfortable tricks. It happens to me sometimes to see a slaughterer on his way home from his day's work, and forthwith my imagination puts a cocked-hat upon his head, and epaulettes upon his shoulders, and sets him up as a candidate for the Presidency. So, also, on a recent public occasion, as the place assigned to the "Reverend Clergy" is just behind that of "Officers of the Army and Navy" in processions, it was my fortune to be seated at the dinner-table over against one of these respectable persons. He was arrayed as (out of his own profession) only kings, court-officers, and footmen are in Europe, and Indians in America. Now what does my over-officious imagination but set to work upon him, strip him of his gay livery, and present him to me coatless, his trousers thrust into the tops of a pair of boots thick with clotted blood, and a basket on his arm out of which lolled a gore-smeared axe, thereby destroying my relish for the temporal mercies upon the board before me.--H. W.] No. IX. A THIRD LETTER FROM B. SAWIN, ESQ. [Upon the following letter slender comment will be needful. In what river Selemnus has Mr. Sawin bathed, that he has become so swiftly oblivious of his former loves? From an ardent and (as befits a soldier) confident wooer of that coy bride, the popular favour, we see him subside of a sudden into the (I trust not jilted) Cincinnatus, returning to his plough with a goodly-sized branch of willow in his hand; figuratively returning, however, to a figurative plough, and from no profound affection for that honoured implement of husbandry (for which, indeed, Mr. Sawin never displayed any decided predilection), but in order to be gracefully summoned therefrom to more congenial labours. It would seem that the character of the ancient Dictator had become part of the recognised stock of our modern political comedy, though, as our term of office extends to a quadrennial length, the parallel is not so minutely exact as could be desired. It is sufficiently so, however, for purposes of scenic representation. An humble cottage (if built of logs, the better) forms the Arcadian background of the stage. This rustic paradise is labeled Ashland, Jaalam, North Bend, Marshfield, Kinderhook, or Bâton Rouge, as occasion demands. Before the door stands a something with one handle (the other painted in proper perspective), which represents, in happy ideal vagueness, the plough. To this the defeated candidate rushes with delirious joy, welcomed as a father by appropriate groups of happy labourers, or from it the successful one is torn with difficulty, sustained alone by a noble sense of public duty.