The binding of the Nile and the new SoudanPeel, Sidney Cornwallis
History
The binding of the Nile and the new Soudan
Peel, Sidney Cornwallis
Irrigation -- Egypt; Nile River; Sudan (Region)
But the most fascinating sight of all is the sook, or market. The
mixture of races is amazing. It would take a trained scientist to
catalogue them all. From a camel to a silver bracelet, there is
nothing dear to a native that cannot be bought. Here are made and
sold the angarebs, or native bedsteads, woven with string across a
low four-legged wooden framework. As yet these people have not much
mechanical ingenuity, and their appliances for working in wood and
iron or other metals are rude in the extreme. The past in the Soudan
has not been conducive to the development of the arts, but there is
promise for the future.
One feature of the place is the curiosity shops, full of many strange
spears and shields, knives and sabres, and occasionally an iron
gauntlet or coat of mail such as the dervishes wore; but these are
rare now. These Arab shopmen know how to drive a hard bargain, and
love nothing better than chaffering over a price. All curiosities are
called ‘antiquos.’ There is an annual flower-show in Khartoum,
at which a prize is given for the best ‘antiquos.’ A Soudanese
turned up who was very anxious to compete for this prize with a live
porcupine, which he insisted was an ‘antiquo.’ He was allowed to
exhibit at last, but not for competition, on condition that he himself
led it about by a string, as the authorities could not undertake its
charge. With more justice a live tortoise is also commonly offered
for sale as a very choice ‘antiquo.’ In another quarter are the
rope-makers, twisting their long coils of fibre in exactly the same
way as they have been twisted for centuries; further on, the basket
and net makers are weaving dried reeds in curious patterns. Yet
another part is entirely devoted to the needs of women. Here are
combs and strings of all kinds of beads, unguents, and the strange
preparations they use for fixing the small plaits in which they tie
their hair; cinnamon bark and other scents, without which no wedding
is complete; cooking-pots and other articles of their scanty domestic
furniture; even dolls of most weird and fantastic shapes and material,
and many other quaint trifles. The whole place is crowded with women,
black and brown, many of them tall in stature, easy and graceful in
their movements, and, however ugly they may be in other respects,
nearly all with the most beautifully shaped arms.
It is a strange contrast to go a little further on through the western
outskirts of the town, and to find a game of polo proceeding on the
hard desert sand. And beyond, again, in the middle of these great
spaces, far from the rush and turmoil of the town, are the quiet
graves of two or three of those who have laid down their lives in
this far country, and shall see their homes no more.
Public-domain text, read in full here on John Shaqi.
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