Husband and wife -- Fiction; Man-woman relationships -- Fiction
One of Victor's legs was shorter than the other by reason of a fall,
and as he walked he swayed like a little dry tree creaking in a breeze;
one felt he had no leaves. He was secretly well-pleased by his
employer's marriage, but it was a peculiarity of his seldom to address
him and to observe toward him a critical manner. Now, after greeting
the couple, he looked at Rachel exclusively.
The old goldsmith, besides being something of a musician was an
excellent judge of a violin, and at Simon's request he had obtained for
Rachel the instrument she wished to give André.
"It's not just what I wanted," he explained, "but neither is it bad."
And thereupon he drew the bow across the violin.
"Oh, how well you play!" she murmured, and then fell silent. She
regretted that she had withheld from André news of her marriage; she
should have told him at once. Now she planned to send him the violin
as a sign of her unalterable affection. When Victor handed the
instrument to Simon she aroused herself.
"And how is the _pyrometer_ coming on, Mr. Mudge?" she demanded with
animation. "Have you heard anything yet from Mr. St. Ives?"
Victor shrugging his shoulders, once more took into his fingers the
string of seed pearls and the needle. "He was in here about a week ago
and left a drawing; and yesterday I received a letter from him saying
he'd be in this evening to test something at the furnace. I'm waiting
his pleasure now."
Rachel suddenly laughed.
When she and Simon left the shop, when they were once more in the
carriage, she leaned to him impulsively and pressed her lips to his
cheek.
That evening she heard her first opera. In order to justify Simon's
pride in her and also to gratify her own innate sense of coquetry, she
had arrayed herself to great advantage. Whence came this knowledge of
the requirements of her new position, whence the pretty dignity of her
bearing? Perhaps from her Canadian great-grandfather and his English
wife; or this manner of hers may have been a free gift of the gods.
Excited by the strains of music that ascended from the orchestra, she
deepened and increased in beauty and in the immediate neighbourhood of
her husband's box became the centre of attention. But of this she was
only imperfectly aware. If, by chance, she did intercept an admiring
glance, she took it as a tribute to her dress of white satin, cunningly
embroidered in a design of gold flowers, to her coiffure, her fan, her
bouquet, to everything and anything but her own youthful countenance to
which the force of her emotions was adding an indefinable attraction.
She made a charming picture; her eyes half hidden by their lashes; her
face, her shoulders, even her round arms and her hands radiant with a
childlike happiness like sunshine.
Public-domain text, read in full here on John Shaqi.
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