A short stumpy bird, and rather inelegant from the shortness of
its tail, the Blue Quit reminds me of the Nut-hatches. It is very
common about homesteads, where it frequents fruit-trees, particularly
the sops: it is, however, nowise infrequent in the woods, both on
the mountains and in the lowlands. It hops busily about the twigs
and fruits, picking in any position, back or belly, head or tail,
uppermost. When the sour-sop is ripe, they flock to it in such numbers,
that the tree appears covered with them: the negro children then set
limed twigs for them, and I have had them brought to me thus as fast
as they could be taken down. The boys cut diagonal notches into the
bark of a naseberry tree, (_Achras_), or score an unripe fruit; a white
milk exudes, so abundant as to drop quickly, and is caught on a leaf.
At first it has the consistence of thin cream, but half an hour’s
exposure thickens it, and gives it tenacity enough to be drawn into
threads; when they consider it “ripe.” A twig smeared with this “gum,”
is stuck into the half-eaten sour-sop or custard-apple, presenting a
very inviting perch to the hungry birds. One soon hops on the fatal
twig, and is in an instant fluttering helplessly, fast at the feet.
Banana birds, Mocking birds, and Cashew birds are also taken in this
way. The appearance of the intestinal viscera at such a season, is very
singular, being distended with the white pulp throughout their length,
perfectly visible from the transparency of the intestines. At first
the stomach seems to be wanting, and this much surprised me; but the
fact is, that organ is simply a thin membranous sac, or rather canal,
differing in no apparent respect from the intestine, save in slightly
increased capacity.
The musical powers of our little Blue Quit are considerable: it is
a sweet and constant song-bird. It has various notes; frequently it
chirps pertinaciously, like the Humming birds; at other times it utters
a long “twee,” like the Chicken-Hawk; sometimes it delights in a soft
warbling repetition of a single note; sometimes its voice is closely
like the plaintive mewing of a kitten. But besides these it has a
real song, sweet and musical. In March at Spanish Town, I heard two,
apparently both males, warbling close together on a genip-tree opposite
my window, very sweetly but hurriedly. When one flew to another twig
the other presently followed. By and bye they ceased that melody, and
one took to a strain consisting of about a dozen rapid repetitions
of the same note, ending with one elevated note, with a jerking
abruptness. This strain he repeated several times.
Public-domain text, read in full here on John Shaqi.
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