One of the very commonest of birds in Jamaica, bold and forward in his
manners, inviting rather than avoiding notice, of striking though not
showy colours, the Mocking-bird would be sure to attract the attention
of a stranger, even were he destitute of those unrivalled powers of
song that have commanded the praise of all auditors. The faculty of
imitating the voices of other birds, which has given to this species
its ordinary appellation, has been ably described by Wilson and
others, as well as the variety of notes, apparently original, which
it commands. The former has often caused me no small disappointment;
hearing the voice of, as I supposed, some new bird, or some that I
was in want of, I have found, after creeping cautiously and perhaps
with some difficulty to the spot, that it proceeded from the familiar
personage before us. With respect to the latter, I have been assured
by an observant friend, George Marcy, Esq., of the Kepp, that he, on
one occasion, counted no less than eighteen different notes, proceeding
from a Mocking-bird perched on a tree in his garden.
It is in the stillness of the night, when, like his European namesake,
he delights
“—— with wakeful melody to cheer
The livelong hours,”
that the song of this bird is heard to advantage. Sometimes, when,
desirous of watching the first flight of _Urania Sloaneus_, I have
ascended the mountains before break of day, I have been charmed with
the rich gushes and bursts of melody proceeding from this most sweet
songster, as he stood on tiptoe on the topmost twig of some sour-sop or
orange tree, in the rays of the bright moonlight. Now he is answered
by another, and now another joins the chorus, from the trees around,
till the woods and savannas are ringing with the delightful sounds of
exquisite and innocent joy. Nor is the season of song confined, as in
many birds, to that period when courtship and incubation call forth
the affections and sympathies of the sexes towards each other. The
Mocking-bird is vocal at all seasons; and it is probably owing to his
permanency of song, as well as to his incomparable variety, that the
savannas and lowland groves of Jamaica are almost always alive with
melody, though our singing birds are so few.
Public-domain text, read in full here on John Shaqi.
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