The Birth of Civilization in the Near EastFrankfort, Henri
History
The Birth of Civilization in the Near East
Frankfort, Henri
Civilization, Ancient; Egypt -- Antiquities; Iraq -- Antiquities; Middle East -- Civilization -- To 622
We possess contemporary monuments on which two Upper Egyptian
kings—“Scorpion”[132] and Narmer—record their conquests in the north
country. A votive macehead (Fig. 26) shows the earlier of the
two—Scorpion—at the opening of a canal. He wears the tall white crown
which in historical times symbolized dominion over Upper Egypt. Above
this main scene appear emblems of divinities placed on standards which
serve as gallows to _rekhyt_ birds; these birds, in all probability,
designate inhabitants of Lower Egypt.[133] Scorpion seems to have
subjected the whole Nile valley, for his monuments have been found as
far north as the quarries of Turah, near Cairo.
Narmer, however, extended his power even over the marshlands of the
Delta and appears, therefore, as the true prototype of the legendary
Menes. Among several monuments of his which have been preserved, a large
votive palette of slate (Figs. 27, 28) is the most important. It seems
to be a concrete record of the unification of Egypt or, at least, of an
important stage in its realization. On one side, Narmer, wearing the
crown of Upper Egypt, destroys a chieftain of the northern marshes. On
the other side, the king, now wearing the crown of Lower Egypt, inspects
a number of beheaded enemies. Thus Narmer is shown as the first “Lord of
the Two Lands.”
But it would be a mistake to read the Narmer palette as a mere tale of
conquest. The “unification of the Two Lands” was, to the Egyptians, not
only the beginning of their history, but also the manifestation of a
preordained order which extended far beyond the political sphere and
bound society and nature in an indestructible harmony. Of this order
Pharaoh was the champion. Throughout historical times the texts
proclaimed this conviction, and pictorial art expressed it by great
compositions in which the towering figure of the king destroys,
single-handed, the misguided wretches who have sided with chaos in
opposing Pharaoh’s regimen. It is significant that this aspect of
Pharaoh’s power should be expressed in art for the first time in the
reign of Narmer.[134]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account