The Bishop and Other StoriesChekhov, Anton Pavlovich
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The Bishop and Other Stories
Chekhov, Anton Pavlovich
Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"That is just what you would expect from a Pole," said Father
Christopher.
"And little does it trouble her. Young and foolish, as they say,
her head is full of nonsense."
Yegorushka, for some reason, longed to think of nothing but Varlamov
and the countess, particularly the latter. His drowsy brain utterly
refused ordinary thoughts, was in a cloud and retained only fantastic
fairy-tale images, which have the advantage of springing into the
brain of themselves without any effort on the part of the thinker,
and completely vanishing of themselves at a mere shake of the head;
and, indeed, nothing that was around him disposed to ordinary
thoughts. On the right there were the dark hills which seemed to
be screening something unseen and terrible; on the left the whole
sky about the horizon was covered with a crimson glow, and it was
hard to tell whether there was a fire somewhere, or whether it was
the moon about to rise. As by day the distance could be seen, but
its tender lilac tint had gone, quenched by the evening darkness,
in which the whole steppe was hidden like Moisey Moisevitch's
children under the quilt.
Corncrakes and quails do not call in the July nights, the nightingale
does not sing in the woodland marsh, and there is no scent of
flowers, but still the steppe is lovely and full of life. As soon
as the sun goes down and the darkness enfolds the earth, the day's
weariness is forgotten, everything is forgiven, and the steppe
breathes a light sigh from its broad bosom. As though because the
grass cannot see in the dark that it has grown old, a gay youthful
twitter rises up from it, such as is not heard by day; chirruping,
twittering, whistling, scratching, the basses, tenors and sopranos
of the steppe all mingle in an incessant, monotonous roar of sound
in which it is sweet to brood on memories and sorrows. The monotonous
twitter soothes to sleep like a lullaby; you drive and feel you are
falling asleep, but suddenly there comes the abrupt agitated cry
of a wakeful bird, or a vague sound like a voice crying out in
wonder "A-ah, a-ah!" and slumber closes one's eyelids again. Or you
drive by a little creek where there are bushes and hear the bird,
called by the steppe dwellers "the sleeper," call "Asleep, asleep,
asleep!" while another laughs or breaks into trills of hysterical
weeping--that is the owl. For whom do they call and who hears
them on that plain, God only knows, but there is deep sadness and
lamentation in their cry. . . . There is a scent of hay and dry
grass and belated flowers, but the scent is heavy, sweetly mawkish
and soft.
Public-domain text, read in full here on John Shaqi.
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