Here Adelaide paused; she had come to the house of the friend she
proposed to visit, and from the gate she pointed out the trees that grew
so abundantly on the Bowden place, and her attitude seemed to say to the
young man that should he get lost, he would be safe so long as she was
within calling distance. He had been used to more dignity and less charm
on the part of most of the young women he knew, and he rather preferred
the variety which he had now come in contact with for the first time.
And yet, when he came to the old homestead, where his grandfather lived
and died, and where his mother was born, he was attacked by none of the
emotions that would have seized upon the soul of his mother. He had been
educated in a different environment, and he was essentially modern in
his sense of the importance of business affairs. As he read the friendly
inscription on the tomb of his grandfather--the family burying-ground
being not far from the picturesquely simple old house--he was conscious
of a strong desire to know whether failure or success would crown his
negotiations with Mr. Jonas Whipple.
The vagrant winds blew through the tops of trees more than two centuries
old, the house frowned grimly over the reminiscences of past
hospitality, and the whole scene appealed strongly to sentiments that
are now said not to be strictly scientific. But it must not be supposed
that the young man had no poetry in his soul, or that his nature was
free from emotions of a sentimental character. He lived entirely in the
present, and the past had no meaning for him save that which was coldly
historical. He found his inspiration in the rhythmical clatter and
cackle of intricate machinery; he was stirred by the interweaving and
interlacing business problems, and the whole movement, shape, and
pattern of huge commercial enterprises.
Public-domain text, read in full here on John Shaqi.
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