"Oh, Alice, let us drop so disagreeable a subject," said her mother.
"Come, Richard and I want some music."
"Any way," said Alice, rising, "I do very much hope you will bring
the subject up in your visit to the directors. It has grown on me
under the talks of the old Bishop and what I have seen myself--it has
become a nightmare to me."
"I don't think it is any of our business at all," spoke up Mrs.
Westmore quickly.
Alice turned her big, earnest eyes and beautiful face on her mother.
"Do you remember when I was six years old?" she asked.
"Of course I do."
"Suppose--suppose--that our poverty had come to us then, and you and
papa had died and left brother and me alone and friendless. Then
suppose we had been put into that mill to work fourteen hours a
day--we--your own little ones--brother and I"--
Mrs. Westmore sprang up with a little shriek and put her hands over
her daughter's mouth.
Richard Travis shrugged his shoulders: "I had not thought of it that
way myself," he said. "That goes home to one."
Richard Travis was always uplifted in the presence of Alice. It was
wonderful to him what a difference in his feelings, his behavior, his
ideas, her simple presence exerted. As he looked at her he thought of
last night's debauch--the bar-room--the baseness and vileness of it
all. He thought of his many amours. He saw the purity and grandeur of
her in this contrast--all her queenliness and beauty and simplicity.
He even thought of Maggie and said to himself: "Suppose Alice should
know all this.... My God! I would have no more chance of winning her
than of plucking a star from the sky!"
He thought of Helen and it made him serious. Helen's was a different
problem from Maggie's. Maggie was a mill girl--poor, with a
bed-ridden father. She was nameless. But Helen--she was of the same
blood and caste of this beautiful woman before him, whom he fully
expected to make his wife. There was danger in Helen--he must act
boldly, but decisively--he must take her away with him--out of the
State, the South even. Distance would be his protection, and her
pride and shame would prevent her ever letting her whereabouts or her
fate be known.
Cold-bloodedly, boldly, and with clear-cut reasoning, all this ran
through his mind as he stood looking at Alice Westmore.
We are strangely made--the best of us. Men have looked on the Madonna
and wondered why the artist had not put more humanity there--had not
given her a sensual lip, perhaps. And on the Cross, the Christ was
thinking of a thief.
Two hours later he was bidding her good-bye.
"Next Sunday, do you remember--Alice--next Sunday night you are to
tell me--to fix the day, Sweet?"
"Did mother tell you that?" she asked. "She should let me speak for
myself."
But somehow he felt that she would. Indeed he knew it as he kissed
her hand and bade her good-night.
Public-domain text, read in full here on John Shaqi.
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