Lady Sophia had scarcely explained when they heard the Canon come into the house. He had been out for ten minutes on some errand. This was an occasion upon which Canon Spratte felt that his fellow-creatures were very amiable. The world was an excellent place where a combination of uprightness and of pious ingenuity made the way of the virtuous not unduly hard. On his way past the dining-room he looked in to glance at his portrait, which Orchardson had painted some fifteen years before. It was an extravagance, but when he had the chance to gratify others the Canon did not count his pence. He had been able to think of no more pleasing surprise for his wife, on the tenth anniversary of their wedding-day, than to give her a not unflattering picture of himself. He observed with satisfaction the strong lines of the hands, the open look of his blue eyes, and the bold expression of his mouth. It was a man in whose veins ran a vivacious spirit. His whole appearance was so happily self-reliant that even from the painted canvas spectators gained a feeling of exhilaration. Canon Spratte noted how well his shapely head, with the abundant fair hair, stood out against the purple background. Above, in the corner, according to his own suggestion, were the arms and the motto of his family: _Malo mori quam fœdari_. “Yes, I think he did me justice,” thought the Canon. “I sometimes fancy the hands are a little too large, but that may be only the perspective.” He smiled to his own smiling eyes. “If I’m ever made a bishop I shall be painted again. I think it’s a duty one owes one’s children. I shall be painted by Sargent, in full canonicals, and I shall have an amethyst ring. It’s absurd that we should habitually leave what is indeed part of the insignia of our office to a foreign Church. The English bishops have just as much right to the ring of amethyst as the bishops of the Pope. I shall have the arms of the See on the right-hand side and my own arms on the left.”