The Black Baronet; or, The Chronicles Of Ballytrain: The Works of William Carleton, Volume OneCarleton, William
General
The Black Baronet; or, The Chronicles Of Ballytrain: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
Lucy, on recognizing his voice, could scarcely prevent her emotion from
becoming perceptible; but owing to the darkness of the night, and the
folds of her thick veil, her fellow-travellers observed nothing.
“Why,” replied the grazier, who had evidently, from a lapse of memory,
substituted one species of manufacture for another thing, “they tell me
he is stopping in the head inn in Ballytrain; an', dang my buttons, but
he must be a fellow of mettle, for sure didn't he kick that tyrannical
ould scoundrel, the Black Baronet, down-stairs, and out of the
hall-door, when he came to bullyrag over him about his daughter--the
darlin'?”
Lucy's distress was here incredible; and had not her self-command
and firmness of character been indeed unusual, she would have felt it
extremely difficult to keep her agitation within due bounds.
“You labor under a mistake there,” replied the stranger; “I happen to
know that nothing of the kind occurred. Some warm words passed between
them, but no blows. A young person named Fenton, whom I know, was
present.”
“Why,” observed the grazier, “that's the young fellow that goes mad
betimes, an' a quare chap he is, by all accounts. They say he went mad
for love.”
From this it was evident that rumor had, as usual, assigned several
causes for Fenton's insanity.
“Yes, I believe so,” replied the stranger.
Alley, who thought she had been overlooked in this partial dialogue,
determined to sustain her part in the conversation with a dignity
becoming her situation, now resolved to flourish in with something like
effect.
“They know nothing about it,” she said, “that calls Miss Gourlay's
sweetheart a button-maker. Miss Gourlay's not the stuff to fall in love
wid any button-maker, even if he made buttons of goold; an' sure they
say that the king an' queen, and the whole royal family wears golden
buttons.”
“I think, in spaiking of buttons,” observed the grazier, with a grin,
“that you might lave the queen out.”
“And why should I lave the queen out?” asked Alley, indignantly, and
with a towering resolution to defend the privileges of her sex. “Why
ought I lave the queen out, I say?”
“Why,” replied the grazier, with a still broader grin, “barring she
wears the breeches, I don't know what occasion she could have for
buttons.”
“That only shows your ignorance,” said Alley; “don't you know that all
ladies wear habit-shirts, and that habit-shirts must have buttons?”
“I never heard of a shirt havin' buttons anywhere but at the neck,”
replied the grazier, who drew the inference in question from his own,
which were made upon a very simple and primitive fashion.
“But you don't know either,” responded Alley, launching nobly into the
purest fiction, from an impression that the character of her mistress
required it for her defence, “you don't know that nobody is allowed to
make buttons for the queen but a knight o' the garther.”
“Garther!” exclaimed the grazier, with astonishment. “Why what the
dickens has garthers to do wid buttons?”
Public-domain text, read in full here on John Shaqi.
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