The Black Baronet; or, The Chronicles Of Ballytrain: The Works of William Carleton, Volume OneCarleton, William
General
The Black Baronet; or, The Chronicles Of Ballytrain: The Works of William Carleton, Volume One
Carleton, William
Ireland -- Social life and customs -- Fiction
Alley was about to bear fiery and vehement testimony to the truth of
all this; but Lucy, whose bosom heaved up strongly two or three times at
these affecting allusions to her beloved mother, and who almost sobbed
aloud, not merely from sorrow but distress, arising from the whole tenor
of the conversation, whispered a few words into her ear, and she was
instantly silent. The farmer seemed somewhat startled; for, in truth,
as we have said, he was naturally one of those men who wish to hear
themselves talk. In this instance, however, he found, after having made
three or four colloquial attacks upon the stranger, but without success,
that he must only have recourse either to soliloquy or silence. He
accordingly commenced to hum over several old Irish airs, to which
he ventured to join the words--at first in a very subdued undertone.
Whenever the coach stopped, however, to change horses, which it
generally did at some public house or inn, the stranger could observe
that the grazier always went out, and on his return appeared to
be affected with a still stronger relish for melody. By degrees he
proceeded from a tolerably distinct undertone to raise his voice into a
bolder key, when, at last, throwing aside all reserve, he commenced the
song of _Cruiskeen Lawn_, which he gave in admirable style and spirit,
and with a rich mellow voice, that was calculated to render every
justice to that fine old air. In this manner, he literally sang his way
until within a few miles of the metropolis. He was not, however, without
assistance, during, at least, a portion of the journey. Our friend
Dandy, who was on the outside, finding that the coach came to a level
space on the road, placed the dulcimer on his knees, and commenced an
accompaniment on that instrument, which produced an effect equally
comic and agreeable. And what added to the humor of this extraordinary
duet--if we can call it so--was the delight with which each intimated
his satisfaction at the performance of the other, as well as with the
terms in which it was expressed.
“Well done, Dandy! dang my buttons, but you shine upon the wires. Ah,
thin, it's you that is and ever was the wiry lad--and sure that was what
made you take to the dulcimer of course. Dandy, achora, will you give
us, 'Merrily kissed the Quaker?' and I ask it, Dandy, bekaise we are in
a religious way, and have a quakers' meetn' in the coach.”
“No,” replied Dandy; “but I'll give you the 'Bonny brown Girl,' that's
worth a thousand of it, you thief.”
“Bravo, Dandy, and so it is; and, as far as I can see in the dark, dang
my buttons, but I think we have one here, too.”
“I thank you for the compliment, sir,” said Alley, appropriating it
without ceremony to herself. “I feel much obliged to you, sir; but I'm
not worthy of it.”
“My darling,” replied the jolly farmer, “you had betther not take me up
till I fall. How do you know it was for you it was intended? You're not
the only lady in the coach, avourneen.”
Public-domain text, read in full here on John Shaqi.
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