The Black Death, and The Dancing ManiaHecker, J. F. C. (Justus Friedrich Carl)
History
The Black Death, and The Dancing Mania
Hecker, J. F. C. (Justus Friedrich Carl)
Black Death; Chorea, Epidemic; Epidemics
The learned Nicholas Perotti gives the earliest account of this strange
disorder. Nobody had the least doubt that it was caused by the bite of
the tarantula, a ground-spider common in Apulia: and the fear of this
insect was so general that its bite was in all probability much oftener
imagined, or the sting of some other kind of insect mistaken for it, than
actually received. The word tarantula is apparently the same as
terrantola, a name given by the Italians to the stellio of the old
Romans, which was a kind of lizard, said to be poisonous, and invested by
credulity with such extraordinary qualities, that, like the serpent of
the Mosaic account of the Creation, it personified, in the imaginations
of the vulgar, the notion of cunning, so that even the jurists designated
a cunning fraud by the appellation of a "stellionatus." Perotti
expressly assures us that this reptile was called by the Romans
tarantula; and since he himself, who was one of the most distinguished
authors of his time, strangely confounds spiders and lizards together, so
that he considers the Apulian tarantula, which he ranks among the class
of spiders, to have the same meaning as the kind of lizard called [Greek
text], it is the less extraordinary that the unlearned country people of
Apulia should confound the much-dreaded ground-spider with the fabulous
star-lizard, and appropriate to the one the name of the other. The
derivation of the word tarantula, from the city of Tarentum, or the river
Thara, in Apulia, on the banks of which this insect is said to have been
most frequently found, or, at least, its bite to have had the most
venomous effect, seems not to be supported by authority. So much for the
name of this famous spider, which, unless we are greatly mistaken, throws
no light whatever upon the nature of the disease in question. Naturalists
who, possessing a knowledge of the past, should not misapply their
talents by employing them in establishing the dry distinction of forms,
would find here much that calls for research, and their efforts would
clear up many a perplexing obscurity.
Public-domain text, read in full here on John Shaqi.
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