His senses quickened. His eyes were like the sharp eyes of a hunting owl
so that he felt that in daylight he had been blind. His ears were tuned
to an exquisite degree of sensitiveness. The cracking of a twig, a
distant step on leaves, the least tremor of a growing tree, sent a shock
of alert pleasure into his brain. And the impalpable cool mist of autumn
sharpened his scent to a keenness that delighted him. This state of
acute sensitiveness was the basis on which the more than physical thrill
of imminent danger was imposed. The labourers who worked on the farms of
Squire Delahay’s estate were naturally in league with Badger against the
depredations of these foreigners. Each of them was himself a poacher in
a quiet way; but they poached for the pot rather than for the market and
felt that the presence of Mick and his gang was a menace to their
privileges. These men, if less intelligent, were as skilled in woodcraft
as the Irishman himself, and Mick’s friends followed their craft in a
constant peril of discovery.
It was a profitable adventure. Abner soon found that his wages were
trebled. Grouse from the mountains, pheasants from the spinneys,
partridges from the stubbles, all found their way into Mick Connor’s bag
and were driven in a ragman’s cart to Craven Arms. Mick was content to
leave the rabbits to the labourers who spied upon him. He spent his
money wildly. It even pleased him to treat Badger to drinks in the Pound
House bar, knowing very well that the keeper guessed where the money came
from.
In November salmon began to run up the Barbel to meet the winter floods,
and Mick Connor was more than ever in his element, remembering desperate
days upon the Barrow when he was a boy. Salmon spearing was to Abner the
most exciting pastime of all: the stealthy approach to the riverside up
to his knees in the ditches of the water-meadows: the milky whiteness of
November fogs; the nearing clamour of the river roaring whitely over
stickles into the salmon pool where it lay dumb and black: Mick Connor’s
hoarse whispers, the lumbering shadow of Curly Atwell, and, in the
darkness, the swirl of an eddy black as ink.
‘Ready . . .’ Mick would whisper, and suddenly a flare of light,
reddening faces, casting grotesque shadows, lighting the yellow
tree-tops, making a beacon for miles of dreamy country, as though the
forest were aflame. The night sounds vanished from Abner’s ears. The
woods held their breath and listened. He could hear nothing of the
river’s tumult—only the harsh breathing of Atwell and the hiss of the
colza flare.
‘By the houly! Look at him! Fourteen pounds if he’s an ounce!’
The shadow of a lifted arm against the light. A violent descent, and
then a swirl in the black water and the great fish struggling on the
bank. For Mick Connor never missed his mark.
‘Out with the light!’ And then a sudden darkness in which the roar of
the stickle and the vague noises of the trees returned.
Public-domain text, read in full here on John Shaqi.
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