‘But I can’t take it from you,’ she protested. ‘It isn’t right.’
‘Right or wrong,’ said he, ‘you and the children can’t live on less, and
you’ll find it a tight pinch as it is.’
‘I can’t take it,’ she said again.
They stood on either side of the table with the packet of money between
them.
‘It isn’t only that,’ she added. ‘Don’t suppose I think the less of your
kindness. . . . I wish I could tell you what I do think . . . but I’m
afraid it isn’t right for you to stay on here now George is away.’
‘That’s why I ought to stay,’ he said.
‘You don’t understand,’ she replied. ‘Men don’t think of such things.
It would be the talk of the village. They’d say there was something
wrong.’
‘As long as there bain’t nothing wrong there’s no harm in talk. Talk
never hurt nobody.’
‘There’s George’s mother . . . you don’t know her! Remember what she
said that night.’
‘Do you think I’d ever take the upper hand of you?’
‘No, no . . . it’s not me,’ she said quickly, turning away from him.
‘Then there’s no call to be soft over it.’
‘There’s George, too . . .’
‘Don’t you fret yourself about George,’ he said, and showed her her
husband’s letter. ‘That’s what George thinks about it. I reckon that’s
good enough.’
For a long time she would not take his money. The hard facts of her
case, the words of Mrs Malpas, and the ugly necessity of applying for
parish relief, seemed to weigh less with her than this tyrannous modesty.
‘You can take it or leave it,’ he said, ‘but I’ve promised George and the
money will come to you just the same. . . . Supposing I get another
lodge, the money will be less, that’s all. If you bain’t afeard of me . . . .’
She protested: ‘No . . . no . . . .’
‘Then I may as well stay on. You can’t do without a man in a place like
this. There’s the wood to chop and the water to draw and that. I should
have to come here just the same. We’ve got to live on a poor wage, and
it’s all the better if I’m here.’
‘I must think it over,’ she said.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account