American fiction -- 20th century; Detective and mystery stories
"It’s not he," I repeated. "I’ve often seen him. It’s _not_ the man."
"Well—well——" stammered O’Mally, coming out of his stupor. "Who on earth
is it?"
"How do I know—Sammis, I suppose. It’s like him—the nose, the eyes and
the eyebrows, and the mustache. But," I looked at them, gazing like two
stupefied animals at the head on the pillow, "it’s _not_ Johnston
Barker."
O’Mally, with a groan of baffled desperation, fell into a chair, his
hands hanging over the arms, his feet limp on the floor before him.
Babbitts stood paralyzed, leaning on the foot of the bed. It was an
extraordinary situation—three live men, hot on the chase of a fourth and
in the moment of victory faced by the most inscrutable and solemn thing
that life holds—a dead man. We couldn’t get over it, couldn’t seem to
think or act, grouped round the bed with the whistling rush of the gas
loud on the silence.
Then suddenly, another and more distant sound broke up our stupefaction.
Someone was coming up the stairs. It jerked us back to life, and I made
a run for the door, O’Mally’s whisper hissing after me:
"If it’s that woman, keep her away for a while. I want to go over the
room."
It was Miss Graves, ascending slowly with the help of the balustrade. I
caught her on the landing and told her what we’d found. She was not
greatly surprised—the doctor had warned her. I explained the broken door
by telling her we had been alarmed by the silence and had forced our way
in. That, too, she took quietly, and turned away, gliding shadowlike
down the stairs to send out the servant for the doctor.
When I reëntered the room its aspect was changed. A sheet covered the
dead man and O’Mally and Babbitts, with all the burners in the
chandelier blazing, had started looking over the room. The detective was
already at work on the papers in the desk, Babbitts going through the
clothes over the chair and the few others that hung in the cupboard.
"Hustle and get busy," said O’Mally, as he heard me come in. "If this
isn’t Johnston Barker, it’s the man we’ve been trailing and I’m pretty
sure it’s the one that attacked Ford."
There was a table by the bedside with a reading lamp and some books on
it. Moving these I came upon two newspaper clippings, relating to the
suicide of Harland. In both Anthony Ford was mentioned. The reporters
had evidently spoken to him that night on the street, gleaning any
fragments of information they could. One alluded to the fact that he was
employed in the offices below Harland’s, the Azalea Woods Estates. These
words were heavily underlined in pencil.
"Looks like it from this," I said, showing the clipping to O’Mally.
He glanced at it and grunted, going back to his inspection of a sheaf of
papers he had found in one of the desk pigeonholes.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account