African Americans -- History; Slavery -- United States -- History
This kind of freedom, he maintained, was not inconsistent with
self-organization for self-advancement. He wanted to see the
Afro-American community develop control over its own churches, schools,
social clubs, and businesses. This was not, DuBois insisted, a surrender
to segregation. He believed that a community which controlled its own
basic institutions was in a better position to make its own decisions and
work for its own advancement. This solidarity and cooperation was
necessary to achieve significant change resulting in an integrated
society. Indirectly, he admitted that this was a shift away from his
concept of "the talented tenth." The assumption that an educated and
cultured elite would be accepted within white society had proved to be
erroneous. To the contrary, he noted, whites often feared educated blacks
as much or more than uneducated ones. "The talented tenth" had not even
gained token acceptance. Therefore DuBois shifted to a concept of a group
solidarity instead of an elite leadership. This concept of group
cooperation must not be confused with that of Washington. DuBois's type
of solidarity was to be the platform from which to assert one's manhood
even if it meant personal deprivation:
"Surely then, in this period of frustration and disappointment, we must
turn from negation to affirmation, from the ever-lasting 'No' to the
ever-lasting 'Yes.' Instead of sitting, sapped of all initiative and
independence; instead of drowning our originality in imitation of
mediocre white folks; instead of being afraid of ourselves and
cultivating the art of skulking to escape the Color Line; we have got to
renounce a program that always involves humiliating self-stultifying
scrambling to crawl somewhere where we are not wanted; where we crouch
panting like a whipped dog. We have got to stop this and learn that on
such a program they cannot build manhood. No, by God, stand erect in a
mud-puddle and tell the white world to go to hell, rather than lick boots
in a parlor."
Public-domain text, read in full here on John Shaqi.
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