American fiction -- 20th century; Short stories, American
“Well,” remarked the Old Cattleman when the Sour Gentleman was done, “I
don’t want to say nothin’ to discourage you-all, but if I’d picked up
your hand that time I wouldn’t have played it. I shorely would have let
that Dutch girl keep her beads. Didn’t the thing ha’nt you afterwards?”
“It gave me a deal of uneasiness,” responded the Sour Gentleman. “I am
not proud of my performance. And yet, I don’t see what else I might have
done. Those diamonds were as good as in the hands of Betelnut Jack from
the moment the skulking brother-in-law brought him the information.”
“It’s one relief,” observed the Red Nosed Gentleman, “to know how that
scoundrel came off no richer by his treachery.”
“What I observes partic’lar in the narration,” said the Old Cattleman,
“is how luck is the predominatin’ feacher throughout. The girl an’ her
old pap has bad luck in losin’ the gewgaw’s. You-all customs sharps
has good luck in havin’ the news brought to your hand as to where them
diamonds is hid, by a coyote whom you can bluff plumb outen the play at
the finish. As for the coyote informer, why he has luck in bein’ allowed
to live.
“An’ speakin’ of luck, seein’ that in this yere story-tellin’
arrangement that seems to have grown up in our midst, I’m the next
chicken on the roost, I’ll onfold to you gents concernin’ ‘The Luck of
Cold-sober Simms.’”
CHAPTER XXI.--THE LUCK OF COLD-SOBER SIMMS.
Which this yere tale is mighty devious, not to say disjointed, because,
d’you see! from first to last, she’s all the truth. Now, thar is
folks sech as Injuns an’ them sagacious sports which we-all terms
philosophers, who talks of truth bein’ straight. Injuns will say a
liar has a forked tongue, while philosophers will speak of a straight
ondeviatin’ narrative, meanin’ tharby to indooce you to regyard said
story as the emanation of honesty in its every word. For myse’f I don’t
subscribe none to these yere phrases. In my own experience it’s the lies
that runs in a straight line like a bullet, whereas the truth goes onder
an’ over, an’ up an’ down, doubles an’ jumps sideways a dozen times
before ever it finally finds its camp in what book-sharps call the
“climax.” Which I says ag’in that this tale, bein’ troo, has nacherally
as many kinks in it as a new lariat.
Public-domain text, read in full here on John Shaqi.
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