American fiction -- 20th century; Short stories, American
“It is the Widow,” said Moh-Kwa, “who was the wife of the Great
Rattlesnake of the Rocks; she will go to your tepee to be close to the
heart of her husband. In her mouth the Widow will bring a message from
Yellow Face to the Feather for whom he died an’ was hid beneath the
careless brook.”
Thus said Moh-Kwa. An’ Strike Axe found that Moh-Kwa spoke with but one
tongue; for when he stood again in his lodge the Feather lay across the
door, dead an’ black with the message of Yellow Face which was sent to
her in the mouth of the Widow. An’ as Strike Axe looked on the Feather,
the Widow rattled joyfully where she lay coiled on the Feather’s breast;
for the Widow was glad because she was near to her husband’s heart.
But Moh-Kwa was not there to look; Moh-Kwa had gone early to the
bee-tree, an’ now with his nose in a honey comb was high an’ hearty up
among the angry bees.
There arose no little approbative comment on the folk-lore tales of
Sioux Sam, and it was common opinion that his were by odds and away the
best stories to be told among us. These hearty plaudits were not without
pleasant effect on Sioux Sam, and one might see his dark cheek flush to
a color darker still with the joy he felt.
And yet someone has said how the American Indian is stolid and cold.
It was the Red Nosed Gentleman, as the clock struck midnight on this our
last evening and we threw our last log on the coals, who suggested that
the Jolly Doctor, having told the first story, should in all propriety
close in the procession by furnishing the last. There was but one voice
for it, and the Jolly Doctor, who would have demurred for that it seemed
to lack of modesty on his side, in the end conceded the point with
grace.
“This,” said the Jolly Doctor, composing himself to a comfortable
position in his great chair, “this, then, shall be the story of ‘The
Flim Flam Murphy.’”
CHAPTER XXVII.--THE FLIM FLAM MURPHY.
Chicken Bill was not beautiful with his shock of coarse hair and foul
pipe in mouth. Doubtless, Chicken Bill was likewise an uncompromising
villain. Indeed, Pike’s Peak Martin, expert both of men and mines, one
evening in the Four Flush saloon, casually, but with insulting fullness,
set these things forth to Chicken Bill himself; and while Pike’s Peak
Martin was always talking, he was not always wrong.
On this occasion of Pike’s Peak Martin’s frankness, Chicken Bill, albeit
he carried contradiction at his belt in the shape of a six-shooter,
walked away without attempting either denial or reproof. This conduct,
painful to the sentiment of Timberline, had the two-fold effect of
confirming Pike’s Peak Martin’s utterances in the minds of men, and
telling against the repute of Chicken Bill for that personal courage
which is the great first virtue the Southwest demands.
Public-domain text, read in full here on John Shaqi.
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