American fiction -- 20th century; Short stories, American
But, speakin’ of killin’s, the most onusual I ever hears of is when
Wild Bill Hickox cleans up the Jake McCandlas gang. This Bill I knows
intimate; he’s not so locoed as his name might lead a gent to concloode.
The truth is, he’s a mighty crafty, careful form of sport; an’ he never
pulled a gun ontil he knew what for an’ never onhooked it ontil he knew
what at.
An’ speakin’ of the latter--the onhookin’ part--that Wild Bill never
missed. That’s his one gift; he’s born to make a center shot whenever
his six-shooter expresses itse’f.
This McCandlas time is doorin’ them border troubles between Missouri
an’ Kansas. Jest prior tharunto, Bill gets the ill-will of the Missouri
outfit by some gun play he makes at Independence, then the eastern end
of the old Santa Fe trail. What Bill accomplishes at Independence is a
heap effectual an’ does him proud. But it don’t endear him none to the
Missouri heart. Moreover, it starts a passel of resentful zealots to
lookin’ for him a heap f’rocious, an’ so he pulls his freight.
It’s mebby six months later when Bill is holdin’ down a stage station
some’eres over in Kansas--it’s about a day’s ride at a road-gait from
Independence--for Ben Holiday’s overland line. Thar’s the widow of a
_compadre_ of Bill who has a wickeyup about a mile away, an’ one day
Bill gets on his hoss, Black Nell, an’ goes romancin’ over to see
how the widow’s gettin’ on. This Black Nell hoss of Bill’s is some
cel’brated. Black Nell is tame as a kitten an’ saveys more’n a hired
man. She’d climb a pa’r of steps an’ come sa’n-terin’ into a dance hall
or a hurdy gurdy if Bill calls to her, an’ I makes no doubt she’d a-took
off her own saddle an’ bridle an’ gone to bed with a pa’r of blankets,
same as folks, if Bill said it was the proper antic for a pony.
It’s afternoon when Bill rides up to pow-wow with this relict of his
pard. As he comes into the one room--for said wickeyup ain’t palatial,
an’ consists of one big room, that a-way, an’ a jim-crow leanto--Bill
says:
“Howdy, Jule?” like that.
“Howdy, Bill?” says the widow. “’Light an’ rest your hat, while I
roam ’round an’ rustle some chuck.” This widow has the right idee.
While Bill is camped down on a stool waitin’ for the promised _carne_
an’ flap-jacks, or whatever may be the grub his hostess is aimin’ to
on-loose, he casts a glance outen the window. He’s interested at once.
Off across the plains he discerns the killer, McCandlas an’ his band
p’intin’ straight for the widow’s. They’re from Missouri; thar’s ’leven
of ’em, corral count, an’ all “bad.” As they can see his mare, Black
Nell, standin’ in front of the widow’s, Bill argues jestly that the
McCandlas outfit knows he’s thar; an’ from the speed they’re makin’ in
their approach, he likewise dedooces that they’re a heap eager for his
company.
Public-domain text, read in full here on John Shaqi.
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