American fiction -- 20th century; Short stories, American
Upon this mournful showing, Turner was brought in and told to desist;
and as a full complement of threats, which included among their features
a trial at Fort Smith and a gibbet, went with the request, Turner was
in the end prevailed on to let his Winchester sleep in its rack, and
thereafter the Comanches danced and devoured dog unscared. The sullen
Turner said the Comanches had slain his parent long ago; the agent
expressed regrets, but stuck for it that even with such an impetus a
normal vengeance should have run itself out with the conquest of those
sixty scalps.
Jim Britt told this story of Turner to Samantha; and then he argued that
as the Comanches were made to feel a one-man power by the industrious
Turner, so would he, Jim Britt, for all he stood alone, compel Congress
to his demands. He would take that right of way across the Indian
Territory from between their very teeth. He was an American citizen and
Congress was his servant; in this wise spake Jim Britt.
“That’s all right,” argued the pessimistic Samantha; “that’s all right
about your drunken Turner; but he had a Winchester. Now you ain’t goin’
to tackle Congress with no gun, Jim Britt.”
Despite the gloomy prophecies of Samantha, whom Jim Britt looked on as
a kind of Cassandra without having heard of Cassandra, our would-be
railroad builder wound up the threads and loose ends of his Last Chance
businesses, and having, as he described it, “fixed things so they
would run themselves for a month,” struck out for Washington. Jim Britt
carried twenty-five hundred dollars in his pocket, confidence in his
heart, and Samantha’s forebode of darkling failure in his ears.
While no fop and never setting up to be the local Brummel, Jim Britt’s
clothes theretofore had matched both his hour and environment, and held
their decent own in the van of Last Chance fashion. But the farther
Jim Britt penetrated to the eastward in his native land, the more his
raiment seemed to fall behind the age; and at the last, when he was
fairly within the gates of Washington, he began to feel exceeding wild
and strange. Also, it affected him somewhat to discover himself almost
alone as a tobacco chewer, and that a great art preserved in its
fullness by Last Chance had fallen to decay along the Atlantic. These,
however, were questions of minor moment, and save that his rococo garb
drove the sensitive Jim Britt into cheap lodgings in Four-and-one-half
Street, instead of one of the capital’s gilded hotels, they owned no
effect.
Public-domain text, read in full here on John Shaqi.
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