the effect was indeed grand. When the curtain fell, the prince was called upon the stage, where he was received with deafening shouts of approbation, and a number of _bouquets_ thrown at his feet, which he picked up, bowed, and retired. I went into Cheapside the next morning, at an early hour, to see if the prince had given up his old trade for what I supposed to be a more lucrative one; but I found the hero of the previous night at his post, and giving out his bills as energetically as when I had last seen him. Having to go to the provinces for some months, I lost sight of Mr. Jenkins, and on my return to town did not trouble myself to look him up. More than a year after I had witnessed the representation of Othello at the Eagle, I was walking, one pleasant Sabbath evening, through one of the small streets in the borough, when I found myself in front of a little chapel, where a number of persons were going in. As I was passing on slowly, an elderly man said to me, "I suppose you have come to hear your colored brother preach." "No," I answered; "I was not aware that one was to be here." "Yes," said he; "and a clever man he is, too." As the old man offered to find me a seat, I concluded to go in and hear this son of Africa. The room, which was not large, was already full. I had to wait but a short time before the reverend gentleman made his appearance. He was nearly black, and dressed in a black suit, with high shirt-collar, and an intellectual-looking cravat, that nearly hid his chin. A pair of spectacles covered his eyes. The preacher commenced by reading a portion of Scripture, and then announced that they would sing the twenty-eighth hymn in "the arrangement." O, that voice! I felt sure that I had heard that musical voice before; but where, I could not tell. I was not aware that any of my countrymen were in London, but felt that, whoever he was, he was no discredit to the race; for he was a most eloquent and accomplished orator. His sermon was against the sale and use of intoxicating drinks, and the bad habits of the working classes, of whom his audience was composed.