The black spaniel, and other storiesHichens, Robert
General
The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
“Marnier was a young man who had recently left Oxford, and who had
come out to Beni-Mora only a week before to see his mother, who was
going through the sulphur cure. He was what is generally called a
‘serious-minded young man’; intellectual, inclined to grave reading and
high thinking, totally devoid of frivolity, a little cold in manner and
temperament, one would have sworn; in fact, a type of a very well-known
kind of Oxford undergraduate, the kind that takes a good tutorship
for a year or so after leaving the University, and then becomes a
schoolmaster or a clergyman. Marnier, by the way, intended to take
orders.
“Now, this sort of young man is not precisely my sort, and especially
not my sort in the Sahara Desert. But I did not want to be rude to
Marnier, who was friendly and agreeable, and obviously anxious to
increase his already considerable store of knowledge. So I put my
inclinations in my pocket, and, with inward reluctance, I agreed.
“We set off with Safti, my faithful one-eyed Arab guide, and after
three long days of riding and talking—as I had feared—Maeterlink and
Tolstoy, Henley and Verlaine (this last being utterly condemned by
Marnier as a man of weak character and degraded life) we saw the towers
of Beni-Kouidar aspiring above the shifting sands, the tufted summits
of the thousands of palm-trees, and heard the dull beating of drums and
the cries of people borne to us over the spaces of which silence is the
steady guardian.
“We were all pretty tired, but Marnier was especially done up. He had
recently been working very hard for the ‘first’ with which he had left
Oxford, and was not in good condition. We were, therefore, glad enough
when we rode through the wide street thronged with natives, turned
the corner into the great camel market, and finally dismounted before
the door of the one inn, the ‘Rendezvous des Amis,’ a mean, dusty,
one-storey building, on whose dirty white wall was a crude painting of
a preposterous harridan in a purple empire gown, pouring wine for a
Zouave who was evidently afflicted with elephantiasis. Yet, tired as I
was, I stepped out into the camel market for a moment before going into
the house, emptied my lungs, and slowly filled them.
“‘What air!’ I said to Marnier, who had followed me.
“‘It is extraordinary,’ he answered in his rather dry tenor voice.
‘I should say like the best champagne, if I did not happen to be a
teetotaller.’
“(The market, I must explain, was not at that moment in active
operation.)
Public-domain text, read in full here on John Shaqi.
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