The black spaniel, and other storiesHichens, Robert
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The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
“I left him at Beni-Mora. He smiled, and said he knew no more than I;
and perhaps he didn’t. How was I to tell?”
“But your name of Fin Tireur?”
“Ah!”—the thing in his eyes glowed like a thing red-hot—“I’d been here
eleven months when, one afternoon of summer, just near sunset, I heard
a noise of drums beating and African pipes screaming, and the snarl of
camels on the road you came to-night. I was in the house, in this room
where we are sitting now, and little Marie was playing just outside by
the well, so that I could see her through the window. By the sounds, I
knew a great caravan was coming up, and passing towards the south. They
always water at the well, and I stood by the window to see them. Little
Marie stood too, shading her eyes with her bit of a hand. The drums and
pipes got louder, and round the corner of the inn came as big a caravan
as I’ve ever seen; near a hundred camels, horsemen, and led mules and
donkeys, Kabyle dogs and goats, the music playing all the time, and
a Caïd’s flag flying in the front. They made for the well, as I knew
they would, and little Marie stood all the while watching them. M’sieu,
there were square packs on some of the camels, and veiled women on the
packs.”
He looked across at me hard.
“Veiled women?” I repeated.
“When they got to the well they made the camels kneel for the women to
get down; and one of the women, when she was down, caught sight of
Marie standing there, with her little hand shading her eyes. That woman
gave a great cry behind her veil. I heard it, m’sieu, as I stood by the
window there, and I saw the woman run at the little one.”
He got up from his seat slowly, and stood by the wooden shutter,
against which the sand was driven by the wind.
“In a place like this, m’sieu, one keeps a revolver here.”
He put his hand to a pocket at the back of his breeches, brought out a
revolver, and pointed it at the shutter.
“When I heard the woman cry I took my revolver out. When I saw the
woman run I fired, and the bullet struck the veil.”
He put the revolver back into his pocket, and sat down again quietly.
“And that’s why they call me Fin Tireur.”
I said nothing, and sat staring at him.
“When the camels had been watered the caravan went on.”
“But—but the Arabs⸺”
“The Caïd had the body tied across a donkey—they told me.”
“You didn’t see?”
“No. I took the little one in. She was screaming, and I had to see
to her. It was two days afterwards, when I was at the market, that a
scorpion stung her. She was dead when I came back. Well, m’sieu, are
you sorry you ate your supper?”
Before I could reply, the door opening into the courtyard gaped, and
the driver entered, followed by a cloud of whirling sand grains.
“_Nom d’un chien!_” he exclaimed. “Get me a tumbler of wine, for the
love of God, Fin Tireur. My throat’s full of the sand. _Sacré nom d’un
nom d’un nom!_”
Public-domain text, read in full here on John Shaqi.
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