The black spaniel, and other storiesHichens, Robert
General
The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
Of all the desert superstitions the one which appealed most to my
imagination was the superstition of the desert drum. The Saharaman
declares that far away from the abodes of men and desert cities, among
the everlasting sand dunes, the sharp beating, or dull, distant rolling
of a drum sometimes breaks upon the ears of travellers voyaging through
the desolation. They look around, they stare across the flats, they
see nothing. But the mysterious music continues. Then, if they be
Sahara-bred, they commend themselves to Allah, for they know that some
terrible disaster is at hand, that one of them at least is doomed to
die.
Often had I heard stories of the catastrophes which were immediately
preceded by the beating of the desert drum. One night in the Sahara I
was a witness to one which I have never been able to forget.
On an evening of spring, accompanied by a young Arab and a negro,
I rode slowly down a low hill of the Sahara, and saw in the sandy
cup at my feet the tiny collection of hovels called Sidi-Massarli.
I had been in the saddle since dawn, riding over desolate tracks in
the heart of the desert. I was hungry, tired, and felt almost like a
man hypnotised. The strong air, the clear sky, the everlasting flats
devoid of vegetation, empty of humanity, the monotonous motion of my
slowly cantering horse—all these things combined to dull my brain and
to throw me into a peculiar condition akin to the condition of a man
in a trance. At Sidi-Massarli I was to pass the night. I drew rein and
looked down on it with lack-lustre eyes.
I saw a small group of palm-trees, guarded by a low wall of baked
brown earth, in which were embedded many white bones of dead camels.
Bleached, grinning heads of camels hung from more than one of the
trees, with strings of red pepper and round stones. Beyond the wall
of this palm garden, at whose foot was a furrow full of stagnant
brownish-yellow water, lay a handful of wretched earthen hovels, with
flat roofs of palmwood and low wooden doors. To be exact, I think there
were five of them. The Bordj, or Travellers’ House, at which I was to
be accommodated for the night, stood alone near a tiny source at the
edge of a large sand dune, and was a small, earth-coloured building
with a pink tiled roof, minute arched windows, and an open stable for
the horses and mules. All round the desert rose in humps of sand,
melting into stony ground where the saltpetre lay like snow on a wintry
world. There were but few signs of life in this place; some stockings
drying on the wall of a ruined Arab café, some kids frisking by a heap
of sacks, a few pigeons circling about a low square watchtower, a
black donkey brooding on a dust heap. There were some signs of death;
carcasses of camels stretched here and there in frantic and fantastic
postures, some bleached and smooth, others red and horribly odorous.
Public-domain text, read in full here on John Shaqi.
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