The black spaniel, and other storiesHichens, Robert
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The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
The desolation here was complete. All around us lay the dunes,
monstrous as still leviathans. Here and there, between their strange,
suggestive shapes, under the dark sky one could see the ghastly
whiteness of the saltpetre in the arid plains beyond, where the low
bushes bent in the chilly breeze. I thought of London—only a few
days’ journey from me—revelled for a moment in my situation, which,
contrary to my expectation, was rather emphasised by the presence of my
companions. The gorgeous Spahi, with his scarlet cloak and hood, his
musket and sword, his high red leggings, the ragged, sweating captive
in his patched burnous, ex-butcher looking, despite his cord emblem of
bondage, like reigning Emperor—they were appropriate figures in this
desert place. I had just thought this, and was regarding my Sackville
Street suit with disgust, when a low, distinct and near sound suddenly
rose from behind a sand dune on my left. It was exactly like the dull
beating of a tom-tom. The silence preceding it had been intense, for
the breeze was as yet too light to make more than the faintest sighing
music, and in the gathering darkness this abrupt and gloomy noise
produced, I supposed, by some hidden nomad, made a very unpleasant,
even sinister impression upon me. Instinctively I put my hand on the
revolver which was slung at my side in a pouch of gazelle skin. As I
did so, I saw the Spahi turn sharply and gaze in the direction of the
sound, lifting one hand to his ear.
The low thunder of the instrument, beaten rhythmically and
persistently, grew louder and was evidently drawing nearer. The
musician must be climbing up the far side of the dune. I had swung
round to face him, and expected every moment to see some wild figure
appear upon the summit, defining itself against the cold and gloomy
sky. But none came. Nevertheless, the noise increased till it was a
roar, drew near till it was actually upon us. It seemed to me that I
heard the sticks striking the hard, stretched skin furiously, as if
some phantom drummer were stealthily encircling us, catching us in
a net, a trap of horrible, vicious uproar. Instinctively I threw a
questioning, perhaps an appealing, glance at my two companions. The
Spahi had dropped his hand from his ear. He stood upright, as if at
attention on the parade-ground of Biskra. His face was set—afterwards
I told myself it was fatalistic. The murderer, on the other hand,
was smiling. I remember the gleam of his big white teeth. Why was he
smiling? While I asked myself the question the roar of the tom-tom grew
gradually less, as if the man beating it were walking rapidly away
from us in the direction of Sidi-Massarli. None of us said a word till
only a faint, heavy throbbing, like the beating of a heart, I fancied,
was audible in the darkness. Then I spoke, as silence fell.
“Who is it?”
“Monsieur, it is no one.”
The Spahi’s voice was dry and soft.
“What is it?”
Public-domain text, read in full here on John Shaqi.
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