The black spaniel, and other storiesHichens, Robert
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The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
“—and flashed a smile at her with his white teeth. It was his last
day in the service. He was in grand spirits. ‘_Mon Dieu! Mais quelles
dents!_’ she sang out. Her people laughed at her. The Spahi looked at
her again—not smiling. She shrank back on the balcony. Then his place
was taken by the Governor—small imperial, _chapeau de forme_, evening
dress, landau and pair. Mademoiselle was _désolée_. Why couldn’t
civilised men look like Spahis? Why were all Parisians commonplace?
Why—why? Her sister and brother-in-law called her the savage
worshipper, and took her down to the café on the terrace to dine. And
all through dinner mademoiselle talked of the _beaux_ Spahis—in the
plural, with a secret reservation in her heart. After Algiers our
Parisians went by way of Constantine to Biskra. Now they saw desert
for the first time—the curious iron-grey, velvety-brown, and rose-pink
mountains; the nomadic Arabs camping in their earth-coloured tents
patched with rags; the camels against the skyline; the everlasting
sands, broken here and there by the deep green shadows of distant
oases, where the close-growing palms, seen from far off, give to the
desert almost the effect that clouds give to Cornish waters. At Biskra
mademoiselle—oh! what she must have looked like under the mimosa-trees
before the Hôtel de l’Oasis!⸺”
“Then you’ve seen her,” I began.
“—mademoiselle became enthusiastic again, and, almost before they
knew it, her sister and brother-in-law were committed to a desert
expedition, were fitted out with a dragoman, tents, mules—the whole
show, in fact—and one blazing hot day found themselves out in
that sunshine—you know it—with Biskra a green shadow on that sea,
the mountains behind the sulphur springs turning from bronze to
black-brown in the distance, and the table flatness of the desert
stretching ahead of them to the limits of the world and the judgment
day.”
My companion paused, took a flaming reed from the fire, put it to his
pipe bowl, pulled hard at his pipe—all the time staring straight before
him, as if, among the glowing logs, he saw the caravan of the Parisians
winding onward across the desert sands. Then he turned to me, sighed,
and said:
“You’ve seen mirage?”
“Yes,” I answered.
“Have you noticed that in mirage the things one fancies one sees
generally appear in large numbers—buildings crowded as in towns,
trees growing together as in woods, men shoulder to shoulder in large
companies?”
My experience of mirage in the desert was so, and I acknowledged it.
“Have you ever seen in a mirage a solitary figure?” he continued.
I thought for a moment. Then I replied in the negative.
Public-domain text, read in full here on John Shaqi.
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