The black spaniel, and other storiesHichens, Robert
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The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
“An Ouled,” he replied, “is a dancing-girl from the desert of Sahara.”
“_Mon Dieu!_ How does she dance? Is it a valse, a polka, a quadrille?”
“No. Would that it were!”
And Mr. Greyne, unable further to govern his desire for full
expression, gave Mademoiselle Verbèna a slightly Bowdlerised
description of the dances of the desert. She heard him with amazement.
“How terrible!” she exclaimed when he had finished. “And does one pay
much to see such steps of the Evil One?”
“I gave her twenty pounds. Abdallah Jack⸺”
“Abdallah Jack?”
“My guide informed me that was the price. He tells me it is against the
law, and that each time an Ouled dances she risks being thrown into
prison.”
“Poor lady! How sad to have to earn one’s bread by such devices,
instead of by teaching to the sweet little ones of monsieur the
sympathetic grammar of one’s native country.”
Mr. Greyne was touched to the quick by this allusion, which brought, as
in a vision, the happy home in Belgrave Square before him.
“You are an angel!” he exclaimed.
Mademoiselle Verbèna shook her head.
“And this poor Ouled, you will go to her again?”
“Yes. It seems that she is in communication with all the—the—well, all
the odd people of Algiers, and that one can only get at them through
her.”
“Indeed?”
“Abdallah Jack tells me that while I am here I should pay her a weekly
salary, and that, in return, I shall see all the terrible ceremonies of
the Arabs. I have decided to do so⸺”
“Ah, you have decided!”
For a moment Mr. Greyne started. There seemed a new sound in
Mademoiselle Verbèna’s voice, a gleam in her dark brown eyes.
“Yes,” he said, looking at her in wonder. “But I have not yet told
Abdallah Jack.”
The Levantine looked gently sad again.
“Ah,” she said in her usual pathetic voice, “how my heart bleeds for
this poor Ouled. By the way, what is her name?”
“Aishoush.”
“She is beautiful?”
“I hardly know. She was so painted, so tattooed, so very—so very
different from Mrs. Eustace Greyne.”
“How sad! How terrible! Ah, but you must long for the dear bonnet
strings of madame?”
Did he? As she spoke Mr. Greyne asked himself the question. Shocked
as he was, fatigued by his researches, did he wish that he were back
again in Belgrave Square, drinking barley water, pasting notices of his
wife’s achievements into the new album, listening while she read aloud
from the manuscript of her latest novel? He wondered, and—how strange,
how almost terrible—he was not sure.
“Is it not so?” murmured Mademoiselle Verbèna.
“Naturally I miss my beloved wife,” said Mr. Greyne with a certain
awkwardness. “How is your poor, dear mother?”
Tears came at once into the Levantine’s eyes.
“Very, very ill, monsieur. Still there is a chance—just a chance that
she may not die. Ah, when I sit here all alone in this strange place,
I feel that she will perish, that soon I shall be quite deserted in
this cruel, cruel world!”
Public-domain text, read in full here on John Shaqi.
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