The black spaniel, and other storiesHichens, Robert
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The black spaniel, and other stories
Hichens, Robert
English fiction -- 20th century; Short stories, English
Abdallah Jack grasped her by the hand, and led her ruthlessly forward.
Gazing with terror-stricken eyes over the crumbling rampart of the
Kasbah, she saw the city far below her, the lights of the streets,
the lights of the ships in harbour. She heard the music of a bugle,
and wished she were a Zouave safe in barracks. She wished she were a
German-Swiss porter, a merry chasseur—anything but Mrs. Eustace Greyne.
One thing alone supported her in this hour of trial, the thought of her
husband’s ecstasy when she appeared upon the dread scene of his awful
labours, to tell him that he was released, that he need visit them no
more.
The alley of the Dead Dervishes is long and winding. To Mrs. Greyne
it seemed endless. As she threaded it with faltering step, gripped by
the feverish hand of Abdallah Jack, who now began to display a strange
and terrible excitement, she became a centre of curiosity. Unwashed
Arabs, rakish Zouaves in blue and red, wandering Jews of various
nationalities, unveiled dancing-girls covered with jewels, stared in
wonder upon the chocolate brocade and the floating bonnet strings,
followed upon her footsteps, pointing with painted fingers, and making
remarks of a personal nature in French, Arabic, and other unknown
tongues. She moved in the midst of a crowd, on and on before lighted
interiors from which wild music flowed.
“Shall we never be there?” she panted to Abdallah Jack. “My limbs
refuse their office.” She jogged against a Tunisian Jewess in a pointed
hat, and rebounded upon an enormous Riff in a tattered sheep-skin. “I
can go no farther.”
“We are there! Behold the house of the Ouled!”
As he uttered the last word he burst into a bitter laugh, and drew Mrs.
Greyne, now gasping for breath, through an open doorway into a little
hall of imitation marble, with fluted pillars adorned with oilcloth,
and walls hung with imported oleographs. From a chamber on the right,
near a winding staircase covered with blue-and-white tiles, came the
sound of laughter, of song, and of a hideous music conveyed to the
astonied ear by pipes and drums.
“They are in there!” exclaimed Abdallah Jack, folding his arms, and
looking at Mrs. Greyne. “Go to your husband!”
Mrs. Greyne put her hands to her magnificent forehead, and tottered
forward. She reached the door, she pushed it, she entered. There
upon a wooden dais, surrounded by gilt mirrors and artificial roses,
she beheld her husband, in a check suit and a white Homburg hat,
performing the wildest evolutions, while opposite him a lady, smothered
in coloured silks and coins, tattooed and painted, dyed and scented,
covered with kohl and crowned with ostrich feathers, screamed a nasal
chant of the East, and bounded like an electrified monkey.
“Eustace!” cried Mrs. Greyne, leaning for support against an oleograph.
Her husband turned.
“Eustace!” she cried again. “It is I!”
Public-domain text, read in full here on John Shaqi.
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