Netherlands -- History -- 1648-1714 -- Fiction; Tulip Mania, 1634-1637 -- Fiction; Witt, Johan de, 1625-1672 -- Fiction
At first he had also made some way with Rosa; not, indeed, in her
affections, but inasmuch as, by talking to her of marriage and of love,
he had evaded all the suspicions which he might otherwise have excited.
We have seen how his imprudence in following Rosa into the garden had
unmasked him in the eyes of the young damsel, and how the instinctive
fears of Cornelius had put the two lovers on their guard against him.
The reader will remember that the first cause of uneasiness was given to
the prisoner by the rage of Jacob when Gryphus crushed the first bulb.
In that moment Boxtel’s exasperation was the more fierce, as, though
suspecting that Cornelius possessed a second bulb, he by no means felt
sure of it.
From that moment he began to dodge the steps of Rosa, not only following
her to the garden, but also to the lobbies.
Only as this time he followed her in the night, and bare-footed, he was
neither seen nor heard except once, when Rosa thought she saw something
like a shadow on the staircase.
Her discovery, however, was made too late, as Boxtel had heard from the
mouth of the prisoner himself that a second bulb existed.
Taken in by the stratagem of Rosa, who had feigned to put it in the
ground, and entertaining no doubt that this little farce had been played
in order to force him to betray himself, he redoubled his precaution,
and employed every means suggested by his crafty nature to watch the
others without being watched himself.
He saw Rosa conveying a large flower-pot of white earthenware from her
father’s kitchen to her bedroom. He saw Rosa washing in pails of water
her pretty little hands, begrimed as they were with the mould which she
had handled, to give her tulip the best soil possible.
And at last he hired, just opposite Rosa’s window, a little attic,
distant enough not to allow him to be recognized with the naked eye,
but sufficiently near to enable him, with the help of his telescope,
to watch everything that was going on at the Loewestein in Rosa’s room,
just as at Dort he had watched the dry-room of Cornelius.
He had not been installed more than three days in his attic before all
his doubts were removed.
From morning to sunset the flower-pot was in the window, and, like those
charming female figures of Mieris and Metzys, Rosa appeared at that
window as in a frame, formed by the first budding sprays of the wild
vine and the honeysuckle encircling her window.
Rosa watched the flower-pot with an interest which betrayed to Boxtel
the real value of the object enclosed in it.
This object could not be anything else but the second bulb, that is to
say, the quintessence of all the hopes of the prisoner.
When the nights threatened to be too cold, Rosa took in the flower-pot.
Well, it was then quite evident she was following the instructions of
Cornelius, who was afraid of the bulb being killed by frost.
When the sun became too hot, Rosa likewise took in the pot from eleven
in the morning until two in the afternoon.
Public-domain text, read in full here on John Shaqi.
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