The Blacksmith's Hammer; or, The Peasant Code: A Tale of the Grand MonarchSue, Eugène
History
The Blacksmith's Hammer; or, The Peasant Code: A Tale of the Grand Monarch
Sue, Eugène
France -- History -- Louis XIV, 1643-1715 -- Fiction
The ceremony being over, Paskou the Long took Nominoë's horse by the
bridle and led the animal to the door of the house. A lighter saddle,
provided behind the principal one, enabled the husband to take his wife
on the crupper of his mount. The two were considered married with the
exchange of rings. Nominoë leaped upon his horse. The Brotaer, in the
exercise of his office, raised Tina, light and supple as a child, in his
arms, and placed her behind her husband. The nuptial procession again
put itself in motion, now back to Mezlean, whither it was preceded by a
band of Armorican bag-pipers, playing lustily. Behind them came Paskou
the Long, cantering on his little white horse, and Madok the miller
astride of his ass. They were followed by Nominoë with little Tina
behind him--happy--Oh, as happy as one may think, at having her arms
around the waist of her well-beloved husband. Salaun Lebrenn and Tankeru
rode behind the married couple upon hired horses, while Gildas Lebrenn,
his wife, and all the other relatives and friends were seated in wagons
drawn by heavy Breton oxen. A large crowd of men, women and children on
foot brought up the rear.
CHAPTER III.
THE RED-COATS.
The nuptial procession wended its way slowly. All thought to themselves,
and freely expressed the view to their friends, that a better matched
couple could not be. She was sweet and charming, and he of a virile
bearing which was enhanced by his Breton costume--round hat with wide
brim; long black waistcoat and upper vest; wide, white, floating hose
that descended to the knees and were held around the waist by a broad
belt of scarlet serge; and grey cloth stockings, displaying Nominoë's
well-shaped calves, which were glued to the sides of his strong grey
horse. Tina, whose fresh and rosy countenance was framed in her coif
surmounted with her nuptial ribbons, wore a corsage of green cloth
embroidered with white thread and cut square over her linen gorgerette
which betrayed the coy pulsations of her virginal bosom, seeing that, in
order to keep her balance, one of her arms encircled Nominoë. The sweet
child had been silent since her departure from the paternal roof. Now
she spoke, and, blushing, said timidly to Nominoë:
"Nominoë--I have a confession to make to you--"
"A confession of what, dear Tina?" answered the young man
affectionately, turning his head to his wife in order to see her over
his shoulder.
But Tina, foreseeing the move, put in: "I beg you, do not look at me! If
you do I would not dare to say a word!"
"It shall be as you desire, sweet girl;" and smiling, he added: "What
can be that redoubtable secret that you fear to confess to my face?
Speak, my dear Tina; reveal your secret to me."
"A sad secret--that I am ashamed of, very much ashamed. I pray to God
you may pardon me for it. I have been very guilty."
Public-domain text, read in full here on John Shaqi.
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