"We have talked sometimes of the likeness of the everyday life to war,"
he continued. "In war men and women sometimes do or countenance things
they know to be evil because they believe that by means of them there
is accomplished some greater good; in peace, in life, men--and
women--sometimes do the same. When the time comes that you comprehend
what our actual relation is, I--I want you to know that I understand
that whatever you have done was done because you believed it might
bring about the greater good. I--I have seen in you--in your
father--only kindness, high honor, sympathy. If I did not know--"
She started, gazing at him; what he said had absolutely no meaning for
her. "What is it that you know?" she demanded.
He did not reply; his hand went out to hers, seized it, crushed it, and
he started away. As he went up the stair--still, in his absorption,
carrying cap and overcoat--she stood staring after him in perplexity.
CHAPTER XVII
THE FIGHT IN THE STUDY
Eaton dismissed the man who had been waiting in his rooms for him; he
locked the door and carefully drew down all the window-shades. Then he
put his overcoat, folded as he had been carrying it under his arm, on
the writing table in the center of the room, and from its folds and
pockets took a "breast-drill" such as iron workers use in drilling
steel, an automatic pistol with three clips of cartridges, an electric
flashlight and a little bottle of nitroglycerine. He loaded the pistol
and put it in his pocket; then he carefully inspected the other things.
The room he was in, the largest of his suite, resembled Santoine's
study on the floor below in the arrangement of its windows, though it
was smaller than the study. The writing-desk in its center occupied
much the position of Santoine's large desk; he moved it slightly to
make the relative positions coincide. The couch against the end wall
represented the position of the study's double doors. Eaton switched
out the lights, and starting at the windows, he crossed the room in the
darkness, avoiding the desk, and stopping a few feet to the right of
the couch; here he flashed his light upon the wall at the height of the
little wall-safe to the right of the doors in the study below. A dozen
times he did this, passing from the windows to the position of the
wall-safe and only momentarily flashing his light.
He assured himself thus of being able to pass in the dark from the
windows of Santoine's study to the wall-safe. As the study was larger
than this room, he computed that he must add two steps to what he took
here in each direction. He paid no attention to the position of the
safe to the left of the doors, for he had kept watch of the vase on the
table in the lower hall, and the only sign he had found there had told
him that what he wanted was in the safe to the right.
Public-domain text, read in full here on John Shaqi.
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