“What is the significance, Geos?”
“One is from the queen, my lord; the other from Bar Senestro. The blue
is the cloth of the Bars; the red, that of the queens. The Bar and the
queen send this bodyguard with their respective compliments.”
Chick took the bundle that Geos had brought, and proceeded to don his
own clothes, finding deep satisfaction in the fact that they had arrived
as intact as he. He felt carefully in his hip pocket; the automatic
was still there, likewise the extra magazine of cartridges that he had
carried about with him on that night.
In his other pockets he found two packets of cigarettes, a pouch of
tobacco, some papers, a few coins, a little money and two photographs,
one of Bertha and the other of her father. Not a thing had been
disturbed.
He announced himself ready.
The Rhamda conducted him down the corridor, which he found to be lined
with guards; red on one side, blue on the other. These men fell in
behind in two parallel files, one of the one colour and one of the
other.
It was a building of great size. The corridors were long and high, all
with the wide-coved ceiling, and of colours that melted from one shade
to another as they turned, not corners, but curves. Apparently each
colour had its own suggestive reason. Such rooms as Chick could look
into were uniformly large, beautiful, and distinctly lighted.
The guard moved in silent rhythm; the chief sound was that made by
Watson's leather-heeled shoes, drowning out, for once, the everlasting
tinkling undertone of those unseen fairy-bells; that running cadence,
never ceasing, silver, liquid, like the soul of sound.
Though Watson walked with head erect, he had eyes for every little thing
he passed. He noted the material of the structure and tried to name it;
neither plaster nor stone, the walls were highly polished and, somehow
or other, capable of emitting perfume--light and wholesome, not heavy
and oppressive. And in dark passages the walls glowed.
The corridor widened, and with a graceful curve opened upon a wide
stairway that descended, or rather sank--to use Watson's own words
for the feeling--into the depths of the building. To the right of one
landing was a large window reaching to the floor; its panes were clear
and not frosted as had been the others.
Chick got his first glimpse here of what lay outside--an iridescent
landscape, at first view astonishingly like an ocean of opals; for it
was of many hues, red and purple and milky white, splashed violantin
blue and fluorescence--a maze and shimmer of dancing, joyful colours,
whirring in an uncertainty of polychromatic harmony. Such was his first
fleeting impression.
Public-domain text, read in full here on John Shaqi.
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