"By the sacred bones of my ancestors," he said, with a sort of sincere
grandiloquence, "I promise to come. So that I shall always think of
you, my Pippa, I will paint a black cat upon the machine, and woe to
the Hun who dares to singe its whiskers!"
A few minutes later, the heavily coated figure of an aviator was
plowing its way through a drizzling rain, along a dark and solitary
road. His pace was extraordinarily long for his height, and he appeared
to be stepping over a perpetual array of obstacles at least one foot
high.
By a casement window a girl, with hair like the dusk, stood gazing
towards the road that was hidden in darkness. Silently and motionless
she watched the melancholy drops of rain as they fell upon the glass,
until, unconsciously, her lips parted and she sang, very softly, the
little song taught to the maiden in the story by the lonely shepherd:
"Maman, dites moi ce qu'on sent quand on aime.
Est-ce plaisir, est-ce tourment?"
She paused in the improvised melody, and repeated the words slowly.
"Est-ce plaisir, est-ce tourment?"
And then the little mistress of the mill laid herself upon her bed and
wept profusely; but whether it was because she was happy or because she
was sorrowful, let those explain who understand the psychology of a
woman's tears.
Downstairs, Louis and the miller slept profoundly.
V
It was several months later that an airman emerged from his hut into
the chilly air of an April night that was lingering grudgingly over its
last hour of darkness. There was a sullen rumble of guns borne on a
restless breeze that stirred the long grass of the fields and set the
leaves in the trees whispering and quivering. The drone could be heard
of a lonely aeroplane returning from its night-ride over the enemy
lines.... Above the distant roll of the artillery, one gun stood out
like a pizzicato note on a giant bass violin.
The airman passed the silent aerodrome, and, with difficulty
accustoming himself to the darkness, made out the shadow of a machine
in the adjoining field. He heard the sigh of cylinders sucking in the
petrol as the mechanics warmed the machine, and walked over to it. For
a moment he spoke to the men before climbing into the pilot's seat.
There followed the incisive monotone of the flier's incantation between
himself and the non-commissioned officer.
"Petrol on: switch off."
"Petrol on: switch off."
"Contact."
"Contact."
The propellers were swung into action, hesitated for a moment, then
wheezily subsided.
The incantation was repeated; the propeller blades coughed, and leaped
into a deafening roar. The mechanics sprang aside, and the machine,
stumbling forward for a few yards, turned into the wind. There was a
sudden acceleration of the propeller, a crescendo from the engines, and
the machine made swiftly across the field, rising as it attained flying
speed, and disappearing into the night.
Public-domain text, read in full here on John Shaqi.
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