Yes, it was indeed the husband of Molan’s mistress, no longer in his
laughable function as the shy and intimidated husband of a woman of the
world who endured the coquetry of the woman who bore his name,
submitting to it to profit by it. It was the assassin in his
hiding-place, the assassin in whom jealousy had suddenly awakened the
primitive male, the murderous brute, and whose eyes, nostrils, mouth
announced his desire to kill whatever happened. He was there scanning
the street with savage glances. The half turned-up otter-skin collar of
his overcoat gave to his red hair and high colour a more sinister look,
and the bare ungloved hand with which he lifted the curtain of the
window to enable him to see better seemed ready to grasp the weapon
which should avenge his honour at once on that pavement, without any
more thought of the world and of scandal than if Paris were still the
primeval forest of 3,000 years before, where prehistoric men fought with
stone axes for possession of a female clad in skins.
How had the jealous husband discovered the retreat where Queen Anne and
Jacques took shelter during their brief intrigue? Neither Camille, I,
nor Jacques himself have ever known. An anonymous letter had informed
him; but by whom was it written? Molan had at his heels a mob of the
envious; Madam de Bonnivet was in the same position, even without
reckoning her more or less disappointed suitors. Perhaps Bonnivet had
simply recourse to the vulgar but sure method of espionage. It is quite
certain that the porter had been questioned, and but for the fact that
he was a good fellow, who had been well supplied with theatre tickets by
his lodger, and was proud of the latter’s fame as an author, the rooms
which had seen the poor Blue Duchess so happy and so miserable in turn
without doubt would have served as the theatre for a sanguinary
dénouement. It was indeed the desire for a tragic vengeance which
Camille Favier saw upon the face, in the nostrils, around the mouth, and
in the eyes of the man’s face she had seen at the carriage window in the
dim light furnished by a gas jet in the darkness, looking for a proof of
his dishonour, and decided upon immediate vengeance. It is very likely,
too, that he had noticed the young woman. But he had only met her once
off the stage, and the high collar of her coat, a fur boa wound several
times round her neck, a hat worn over her eyes and a double veil made
Camille into an indecisive figure, a vague and indistinctive silhouette.
Bonnivet without doubt saw in her, if his fixed plan allowed him to
reason at all, a wanderer of the prostitute class exercising her
miserable trade as the darkness came on. Then he took no further notice
of her.
Public-domain text, read in full here on John Shaqi.
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