This reasoning resulted, after weighing the pros and cons, after
resolving to speak to him and then proving to myself the ridiculousness
of doing so, in my once more, about six o’clock, crossing the threshold
of his house in the Place Delaborde, only to discover that Molan was not
there. I went to dinner hoping to meet him as I had done the previous
evening; I did not do so. Seeing the impossibility of meeting him, I
wanted at least to have another talk with the woman who had been the
cause of my fruitless search, the seductive Camille Favier, whose frail
silhouette, blue eyes and emotional smile, pursued me with an obsession
much more irresistible than my pity justified. That was the pretext I
found as I made my way to the Vaudeville. I reached the theatre even
before the end of the first act. My weakness inflicted upon me a feeling
of shame, which made me hesitate about entering. I can see myself now
walking round the entrance, first of all looking at the staircase
leading to the theatre and then at the stage door in the Chaussée
d’Antin. At last I made up my mind to enter by the latter door, and as I
did so the audience were coming out in the interval. I ran up against
Jacques himself.
“Are you going to see Camille?” he asked with a heartiness through which
I discerned malice, and I believe I blushed as I replied—
“No, I am running after you.”
“You have come to plead her cause, I am sure,” he said as he took my
arm. “I know you had a talk with her this afternoon and even defended
me. I thank you, for it would have been quite legitimate for you to try
and profit by the situation. Only you are an honourable man. The cause
is won and we are so reconciled, your friend and I, that to-morrow she
is coming to visit me in my 'Abode of Love,’ as your friend Larcher
calls it.”
“What of Madam de Bonnivet?” I asked him, surprised at this unexpected
change of front.
“Madam de Bonnivet is nothing but a simpleton, a woman of the world in
all her horror. She kept the appointment at Pére Lachaise. She came
there with the intention of making me climb to the top of the yew trees
between which we walked. She played the coquette there more coldly than
in her own drawing-room. As I don’t like to be laughed at, we separated
after what was almost a quarrel.”
“So Camille benefits by the desire rejected by the other woman?” I
interrupted. “That is what is called a 'transfer’ in the money market.”
Public-domain text, read in full here on John Shaqi.
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