“We can talk more quietly here,” she began. Then she sharply said: “Is
your portrait of Mademoiselle Favier far advanced?” She had a way of
questioning which betrayed the despotism of the rich and pretty woman
who regards the person to whom she is talking in the light of a servant
to amuse or inform her. Each time I come across this unconscious
insolence in a fashionable doll an irresistible desire seizes me to give
her a disagreeable answer. Jacques had without doubt speculated upon
this trait of my character in making me play the part of exciter, which,
however, I refused with such loyal energy to do.
“The portrait of Mademoiselle Favier? Why, I have not even begun it,” I
replied.
“Ah!” she said with a nasty smile, “has Molan changed his mind and
forbidden it? You are in love with the pretty little woman, M. la Croix,
confess it?”
“In love with her?” I replied. “Not the least bit in the world.”
“It looked like it the other day,” she said, “and Jacques Molan was, in
fact, a little bit jealous of you.”
“All lovers are more or less jealous,” I interposed, and yielding to the
desire I felt to hurt her, I added: “He is very wrong; Camille Favier
loves him with all her heart, and she has a big heart.”
“It is a great misfortune for her talent,” Madam de Bonnivet said,
knitting her blonde brows just enough to let me know that I had struck
home.
“I cannot agree with you, madam,” I replied this time with conviction.
“Little Favier has not only adorable beauty, but she has a sort of
genius too, and a charming heart and mind.”
“One would never suspect it from seeing her act,” she replied, “at
least, in my opinion. But if so, it is worse still. Happiness has never
yet inspired a writer. But I am sure this affair will not last long.
Molan will find out that she has deceived him with a side scene with a
member of the company and then——”
“You are wrongly informed about this poor girl, madam,” I interrupted
more quickly than was absolutely polite. “She is very noble, very proud,
and quite incapable of a mean action.”
“But that does not prevent her being kept by Molan,” she interrupted,
“if my information is accurate, and eating up his author’s rights to the
last sou.”
“Kept!” I cried. “No, madam, your information is very inaccurate. If she
desired luxury she could have it. She has refused a house, horses,
dresses, jewels, and all the things which tempt one in her position, to
give herself where her heart is. She loves Jacques with a most sincere
and beautiful attachment.”
“I pity her if you are right,” she said with a sneer; “for your friend
is not much good.”
“He is my friend,” I replied with an aggressive dryness, “and I am
original enough to defend my friends.”
Public-domain text, read in full here on John Shaqi.
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