No outward change came to the House of the Golden Pillars. Everything
moved as smoothly, as delicately, as prosperously, as before. But
inwardly there was a subtle, inexplicable transformation. A vague
discontent, a final and inevitable sense of incompleteness, overshadowed
existence from that night when Hermas realised that his joy could never
go beyond itself.
The next morning the old man whom he had seen in the Grove of Daphne,
but never since, appeared mysteriously at the door of the house, as if
he had been sent for, and entered like an invited guest.
Hermas could not but make him welcome, and at first he tried to regard
him with reverence and affection as the one through whom fortune had
come. But it was impossible. There was a chill in the inscrutable smile
of Marcion, as he called himself, that seemed to mock at reverence.
He was in the house as one watching a strange experiment--tranquil,
interested, ready to supply anything that might be needed for its
completion, but thoroughly indifferent to the feelings of the subject;
an anatomist of life, looking curiously to see how long it would
continue, and how it would act, after the heart had been removed.
In his presence Hermas was conscious of a certain irritation, a
resentful anger against the calm, frigid scrutiny of the eyes that
followed him everywhere, like a pair of spies, peering out over the
smiling mouth and the long white beard.
“Why do you look at me so curiously?” asked Hermas, one morning, as they
sat together in the library. “Do you see anything strange in me?”
“No,” answered Marcion; “something familiar.”
“And what is that?”
“A singular likeness to a discontented young man that I met some years
ago in the Grove of Daphne.”
“But why should that interest you? Surely it was to be expected.”
“A thing that we expect often surprises us when we see it. Besides, my
curiosity is piqued. I suspect you of keeping a secret from me.”
“You are jesting with me. There is nothing in my life that you do not
know. What is the secret?”
“Nothing more than the wish to have one. You are growing tired of your
bargain. The play wearies you. That is foolish. Do you want to try a new
part?”
The question was like a mirror upon which one comes suddenly in a
half-lighted room. A quick illumination falls on it, and the passer-by
is startled by the look of his own face.
“You are right,” said Hermas. “I am tired. We have been going on
stupidly in this house, as if nothing were possible but what my father
had done before me. There is nothing original in being rich, and
well-fed, and well-dressed. Thousands of men have tried it, and have
not been satisfied. Let us do something new. Let us make a mark in the
world.”
“It is well said,” nodded the old man; “you are speaking again like a
man after my own heart. There is no folly but the loss of an opportunity
to enjoy a new sensation.”
Public-domain text, read in full here on John Shaqi.
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