Love stories; Miners -- Fiction; Mines and mineral resources -- Colorado -- Fiction; Strikes and lockouts -- Fiction
"These are the Ranunculaceæ family. This is the Aquilegia Cærulea. This
is the Delphinium Occidentale. This belongs to the Polemoniaceæ family,
and is the Phlox Cæspitosa. These are Compositæ. They are a difficult
group to name." Miss Hartwell was indulging in mixed emotions. Mingled
with a satisfaction in reviewing her erudition was a quiet revenge
heightened by the unconsciousness of her object.
"You don't love flowers." There was no indecision in the statement.
"Why, yes, I certainly do."
"No; you don't, or you wouldn't tear them to pieces."
"Don't you ever pick flowers?"
"Yes; but I love them. I take them to my room, and they talk to me. They
do, too!" Élise flashed an answer to a questioning look of Miss
Hartwell, and then went on, "I don't tear them to pieces and throw them
away. Not even to find out those hideous names you called them. They
don't belong to them. You don't love them, and you needn't pretend you
do." Élise's cheeks were flushed. Miss Hartwell was bewildered in mind.
She acknowledged it to herself. Élise was teaching her a lesson that she
had never heard of before, much less learned. Then came elusive
suggestions, vaguely defined, of the two-fold aspect of nature. She
looked regretfully at the evidences of her curiosity. She had not yet
gone far enough along the new path to take accurate notes of her
emotions; but she had an undefined sense of her inferiority, a sense of
wrong-doing.
"I am very sorry I hurt you. I did not mean to."
Élise gave a quick look of interrogation. The look showed sincerity. Her
voice softened.
"You didn't hurt me; you made me mad. I can help myself. They can't."
Miss Hartwell had left her sketch-book unclosed. An errant breath of
wind was fluttering the pages.
"What is that?" Élise asked. "Another kind of book to make you tear up
flowers?" Her voice was hard again.
Miss Hartwell took up the open book.
"Perhaps you would like to see these. They may atone for my other
wrong-doing."
Élise seated herself and received the sketches one by one as they were
handed to her. Miss Hartwell had intended to make comments as necessity
or opportunity seemed to demand; but Élise forestalled her.
"This is beautiful; only----" She paused.
Miss Hartwell looked up.
"Only what?"
Élise shook her head impatiently.
"You've put those horrid names on each one of them. They make me think
of the ones you tore to pieces."
Miss Hartwell stretched out her hand.
"Let me take them for a moment, please."
Élise half drew them away, looking sharply at Miss Hartwell. Then her
face softened, and she placed the sketches in her hand. One by one the
offending names were removed.
"I think that is better."
Élise watched curiously, and her expression did not change with the
reception of the sketches.
"Don't you ever get mad?" she asked.
"Sometimes."
"That would have made me awfully mad."
"But I think you were quite right. The names are not beautiful. The
flowers are."
Public-domain text, read in full here on John Shaqi.
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