Mint grew under the peach-trees in Colonel Henry Price's garden, purple-stemmed mint, with dark-green, tender leaves. It was not the equal of the mint, so the colonel contended with provincial loyalty, which grew back in Kentucky along the clear, cool mountain streams. But, picked early in the morning with the dew on it, and then placed bouquet-wise in a bowl of fresh well-water, to stand thus until needed, it made a very competent substitute for the Kentucky herb. In that cool autumn weather mint was at its best, and Colonel Price lamented, as he gathered it that morning, elbow-deep in its dewy fragrance, that the need of it was passing with the last blaze of October days. Yet it was comforting to consider how well-balanced the seasons and men's appetites were. With the passing of the season for mint, the desire for it left the palate. Frosty mornings called for the comfort of hot toddy, wintry blasts for frothing egg-nog in the cup. Man thirsted and nature satisfied; the economy of the world was thus balanced and all was well. So reasoned Colonel Price comfortably, after his way. Colonel Price straightened up from his mint-picking with dew on his arm and a flush of gathered blood in his cheeks above his beard. He looked the philosopher and humanitarian that he was that morning, his breast-length white beard blowing, his long and thick white hair brushed back in a rising wave from his broad forehead. He was a tall and spare man, slender of hand, small of foot, with the crinkles of past laughter about his eyes, and in his face benevolence. One would have named him a poet at first look, and argued for the contention on further acquaintance. But Colonel Price was not a poet, except at heart, any more than he was a soldier, save in name. He never had trod the bloody fields of war, but had won his dignified and honorable title in the quiet ways of peace. Colonel Price was nothing less than an artist, who painted many things because they brought him money, and one thing because he loved it and could do it well. He painted prize-winning heifers and horses; portraits from the faces of men as nature had made them, with more or less fidelity, and from faded photographs and treasured daguerreotypes of days before and during the war, with whatever embellishments their owners required. He painted plates of apples which had taken prizes at the county fair, and royal pumpkins and kingly swine which had won like high distinctions. But the one thing he painted because he loved it, and could do it better than anybody else, was corn. At corn Colonel Price stood alone. He painted it in bunches hanging on barn doors, and in disordered heaps in the husk, a gleam of the grain showing here and there; and he painted it shelled from the cob. No matter where or how he painted it, his corn always was ripe and seasoned, like himself, and always so true to nature, color, form, crinkle, wrinkle, and guttered heart, that farmers stood before it marveling.