Not so to those who beheld the feat for the first time. They watched the
young man, who was a ripe-cheeked chap with pale hair, as if they
expected to catch him in the fraud and pretense of it in the end, and
lay bare the deceit which he practised upon the world.
The coroner was making notes of his own, stroking his black beard
thoughtfully, and in the pause between witnesses the assembled neighbors
had the pleasure of inspecting the parlor of dead Isom Chase which they
had invaded, into which, living, he never had invited them.
Isom's first wife had arranged that room, in the hope of her young
heart, years and years ago. Its walls were papered in bridal gaiety, its
colors still bright, for the full light of day seldom fell into it as
now. There hung a picture of that bride's father, a man with shaved lip
and a forest of beard from ears to Adam's apple, in a little oval frame;
and there, across the room, was another, of her mother, Quakerish in
look, with smooth hair and a white something on her neck and bosom, held
at her throat by a portrait brooch. On the table, just under that
fast-writing young man's eyes, was a glass thing shaped like a cake
cover, protecting some flowers made of human hair, and sprigs of
bachelor's button, faded now, and losing their petals.
There hung the marriage certificate of Isom and his first wife, framed
in tarnished gilt which was flaking from the wood, a blue ribbon through
a slit in one corner of the document, like the pendant of a seal, and
there stood the horsehair-upholstered chairs, so spare of back and thin
of shank that the rustics would stand rather than trust their corn-fed
weight upon them. Underfoot was a store-bought carpet, as full of roses
as the Elysian Fields, and over by the door lay a round, braided rag
mat, into which Isom's old wife had stitched the hunger of her heart and
the brine of her lonely tears.
The coroner looked up from his little red-leather note-book.
"Joe Newbolt, step over here and be sworn," said he.
Joe crossed over to the witness-chair, picking his way through feet and
legs. As he turned, facing the coroner, his hand upraised, Ollie looked
at him steadily, her fingers fluttering and twining.
Twelve hours had made a woeful change in her. She was as gaunt as a
suckling she-hound, an old terror lay lurking in her young eyes. For one
hour of dread is worse than a year of weeping. One may grieve, honestly
and deeply, without wearing away the cheeks or burning out the heart,
for there is a soft sorrow which lies upon the soul like a deadening
mist upon the autumn fields. But there is no worry without waste. One
day of it will burn more of the fuel of human life than a decade of
placid sorrow.
Public-domain text, read in full here on John Shaqi.
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