Man-woman relationships -- Fiction; Race relations -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
As he tore aside the curtains and opened the glass door she flung
herself in front of him. On the steps and on the lawn men were
struggling, and shots were being fired. Men were remounting their
horses in hot haste and a few minutes later were clattering down the
road, leaving one dead stranger at the foot of the steps. But for his
presence it would all have seemed but a tumultuous vision of
grey-garbed combatants.
It was, perhaps, ten minutes later when Kenneth McVeigh re-entered the
library. All was vague and confused in his mind as to what had
occurred there in the curtained alcove. She had flung herself in front
of him with her arms about him as the door opened; there had been two
shots in quick succession, one of them had shattered the glass, and
the other--
He remembered tearing himself from her embrace as she clung to him,
and he remembered she had sunk with a moan to the floor; at the time
he thought her attitude and cry had meant only despair at her failure
to stop him, but, perhaps--
He found her in the same place; the oval portrait was open in her
hand, as though her last look had been given to the pretty mother,
whose memory she had cherished, and whose race she had fought for.
Margeret was crouched beside her, silent as ever, her dark eyes
strange, unutterable in expression, were fixed on the beautiful face,
but the stray bullet had done its work quickly--she had been quite
dead when Margeret reached her.
* * * * *
Monroe told McVeigh the true story of the portrait that night. The
two men sat talking until the dawn broke. Delaven was admitted to the
conference long enough to hear certain political reasons why the
marriage of that morning should continue to remain a secret, and when
the mistress of Loringwood was laid to rest under the century-old
cedars, it was as Judithe, Marquise de Caron.
In settling up the estate of Matthew Loring, who died a few days
later, speechless to the last, Judge Clarkson had the unpleasant task
of informing Gertrude that for nearly twenty years one of the slaves
supposed to belong to her had been legally free. Evidence was found
establishing the fact that Tom Loring had given freedom to Margeret
and her child a few days previous to that last, fatal ride of his.
Matthew Loring had evidently disapproved and suppressed the
knowledge.
Gertrude made slight comment on the affair, convinced as she was that
the woman was much better off in their household than dependent on
herself, and was frankly astonished that Margeret returned at once to
Loringwood, and never left it again for the three remaining years of
her life.
Gertrude was also surprised at the sudden interest of Kenneth in her
former bondwoman, and when the silent octoroon was found dead beside
the tomb of her master, it was Kenneth McVeigh who arranged that she
be placed near the beautiful stranger who had dwelt among them for
awhile.
Public-domain text, read in full here on John Shaqi.
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